Louis Menand, Thessaly La Force, Amelia Lester, and David Haglund have come together to discuss the influence of literary powerhouse and cultural icon Joan Didion in The New Yorker’s Out Loud Podcast. Our own Michael Bourne calls Didion America’s Truth Teller in his review of her biography.
Chilean Communists want to exhume Pablo Neruda’s body to determine his actual cause of death. The endeavor is being undertaken because Neruda’s “former driver said he received an injection which provoked a heart attack.”
Out this week: Ninety-Nine Stories of God by Joy Williams; Sarong Party Girls by Cheryl Lu-Lien Tan; Pond by Claire Louise-Bennett; Break in Case of Emergency by Jessica Winter; The Heavenly Table by Donald Ray Pollock; Miss Jane by Brad Watson; The Trouble with Goats and Sheep by Joanna Cannon; and The Invoice by Jonas Karlsson. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
“It’s like a crackpot combination of Baz Luhrmann’s Moulin Rouge!, Ingmar Bergman’s The Magic Flute and Lars von Trier’s Dogville. Does this crazy idea work? Maybe 70 percent of the time, but when it does it’s both daring and brilliant.” At Salon, Andrew O’Hehir is surprised by Anna Karenina.
In a New York Times op-ed piece on violence in children’s literature, Maria Tatar claims that “the savagery we offer children today is more unforgiving than it once was.” Is that really the case? Adam Gidwitz‘s A Tale Dark And Grimm (reviewed by the Times last November), which underscores the violence inherent in Grimm’s tales, can be read as a counterpoint.
The cartoonist Joe Sacco has a new graphic novel out that uses a twenty-four-foot panorama to depict the first day of the Battle of the Somme. At Salon, Sacco tells Daniel D’Addario that his upbringing in Australia, where the landings at Gallipoli have great patriotic significance, helped to spur his interest in the War to End All Wars. (Related: we interviewed Sacco last year.)