Full Stop’s book club is discussing the stories of Clarice Lispector throughout this week in an in-depth email exchange conducted by contributors Becca Rothfeld and Nathan Goldman. Pair with Magdalena Edwards‘s Millions review of the collection.
Epistolary Criticism
The Process
We write a fair amount about book covers here at The Millions, but one thing we have yet to write about is the drafting process endured by designers. Herewith, a selection of book covers that didn’t make the cut, juxtaposed with covers that did.
Den Father
By now the overlap between writers and drug addicts is pretty well-known, but it wasn’t so well-known back when Thomas De Quincey wrote Confessions of an English Opium Eater. In the essay, De Quincey admitted that not only was he addicted to opium, he suspected he’d ingested more of the substance than any other man save Coleridge. (Incidentally, we reviewed a novel by Year in Reading alumnus Jeet Thayil that largely took place in an opium den.)
Boyhood
Over at The Rumpus, Brian Gresko argues that every writer, even cis men, should be openly discussing the complications of gender. As he puts it “Self-censorship is a twisted birthright passed down to boys by their fathers.”
J.M. Coetzee on Philip Roth
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Su Hui’s Masterpiece Palindrome
Chinese poet Su Hui composed an 841-character array in the fourth century that can be read forward, backward, horizontally, diagonally, and vertically. The poem, entitled “Xuanji Tu,” can be read in 2,848 different ways as a result.