Full Stop’s book club is discussing the stories of Clarice Lispector throughout this week in an in-depth email exchange conducted by contributors Becca Rothfeld and Nathan Goldman. Pair with Magdalena Edwards‘s Millions review of the collection.
Epistolary Criticism
Losing It
“These writers project a mythos of healing. Their work says to the world, ‘Yes, we go on in spite of the troubles and we heal. Our stories are stories of braveness and healing. We got this.’ But I don’t got this! I’m trying to affect a calm tone. I’m losing my shit.” Luke B. Goebel reflects on anxiety, medication, and creativity at Catapult. Gila Lyons, similarly, writes on how medication affected her creative life.
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Whodunnit
And then there was you: the Oxford English Dictionary is soliciting public help in tracking down “a mysterious, possibly pornographic, 19th-century book from which a number of its quotations are derived.”
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TED is Dead
It’s fashionable to hate on TED all of a sudden. In the span of a month, we’ve got this piece by Nathan Jurgenson in The New Inquiry, this one by Benjamin Wallace in New York Magazine, and this one by Megan Garber in The Atlantic.
“There is no other planet like Earth, […] so Superfund sites have to be super fun.”
We’ve entered the Anthropocene. It’s time to read up: David Biello provides a list of required reading and a thesis on the goal of literature in this new geologic age.
Tuesday New Release Day: Alexievich; Hall; Phillips; Melamed; Scott
Out this week: The Unwomanly Face of War by Svetlana Alexievich; Madame Zero by Sarah Hall; Fierce Kingdom by Gin Phillips; Gather the Daughters by Jennie Melamed; and Careers for Women by Joanna Scott. For more on these and other new titles, go read our most recent book preview.
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Untethered
“Her characters sleepwalk to their certain fates through artificial pocket universes, each one seemingly constructed to satisfy the curiosity of an inhumane, omniscient narrator. Few writers have been so consistently and brilliantly unkind.” On Muriel Spark’s The Bachelors.
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