Recommended Reading: “The Misanthropic Genius of Joy Williams” in The New York Times Magazine. Her latest collection of short stories, The Visiting Privilege: New and Collected Stories, which was included on our most anticipated list, will be released on September 8th. “When I asked Williams what she wants out of a great story, she replied, ‘I want to be devastated in some way.’”
Apropos of our popular “Open Letter to Kanye West,” may we recommend the “Shouts & Murmurs in this week’s New Yorker? “I have more than a million [Facebook] fans,” writes a certain unnamed narrator. “Do you know how many fans Books have? Twenty-five thousand seven hundred and sixty-four.”
“Her storytelling is magical and profound, creating connectivity between people and places: a signal of hope at a particularly divided moment in time.” Joining the company of Margaret Atwood, David Mitchell, and Sjón, Turkish novelist Elif Şafak has been chosen as the fourth contributor for The Future Library Project. Şafak’s novel, Three Daughters of Eve, was featured in the second-half of our 2017 Great Book Preview.
To give context to a new William Vollmann essay about reading his own FBI profile (available to subscribers only, sadly), Harper’s Magazine published a few pages from Vollmann’s file online. Among other things, they reveal that the FBI considered Vollman “exceedingly intelligent and possessed with an enormous ego.” (For a taste of the Harper’s essay, you can read this WaPo article on Vollmann’s connection to the Unabomber.)
Christian Lorentzen wonders, in Book Forum, what the first OWS novels will be like. He anticipates them showing up next year, but I’m thinking we’ve already got at least two, though they were both published well before Occupy: Gary Shteyngart’s Super Sad True Love Story ought to fit the bill, and, of course, there’s that famous Melville story about Wall Street, but I’d prefer not to talk about it when I could just direct you to Hannah Gersen’s piece instead.
“Then, about an hour into the newest version, it struck me: it’s Twilight!…That’s how I would have pitched the film, and the fact that I was thinking of it while watching Heathcliff and Catherine break each other’s hearts was an indication of Arnold’s failure to capture a fraction of Brontë’s genius.” The impossibility of filming Wuthering Heights.