Recommended Reading: “The Misanthropic Genius of Joy Williams” in The New York Times Magazine. Her latest collection of short stories, The Visiting Privilege: New and Collected Stories, which was included on our most anticipated list, will be released on September 8th. “When I asked Williams what she wants out of a great story, she replied, ‘I want to be devastated in some way.’”
Recommended Reading: Tyler Stoddard Smith’s satirical essay on the new literary movement “The Real Newism” at Hobart. “Did Virgil go to hell? No. Did Virginia Woolf go to Disney World? No, and it turns out that Orlando isn’t a place, but a dude. And did Truman Capote ever have breakfast at Tiffany’s? Yes, but the eggs Benedict was cold and the bloody marys were ‘bullshit.'”
“Reading is a type of reckoning with the self. That may sound like a simplistic platitude, but platitudes exist only because they are true, our self-serving intellectual mirrors be damned.” Cher Tan shares a lifetime’s reading history with Catapult, tracing her trajectory from “[k]eeping up with the boys” during high school to this past year, in which she made a personal pact to read only books written by people of color. Pair with our own Nick Ripatrazone in conversation with six authors on their childhood reading.
“And this is a story about what women can do to each other—why women are cruel to each other, why women don’t reach down and help each other.” In conversation for Vanity Fair, Megan Abbott and Gillian Flynn talk about female rage, #MeToo, and Sharp Objects, the HBO series based on Flynn’s novel. Pair with: Millions staffers Janet Potter and Edan Lepucki talk about Flynn and her novels.
Writing for Full Stop, Robert Fay asks, “If Mr. [T.S.] Eliot had to have a day job, why is it that writers and poets today are so cagey about what they do to pay the bills?” Previously, two of our staff writers have explored similar aspects of the same question. In 2009, Emily St. John Mandel wrote of the “constant struggle” that arises from “striking a balance between writing literary fiction and paying the rent.” And last year, Edan Lepucki looked at the perils of including “non-writing jobs” in one’s author bio.