Ten years after hurricane Katrina, Fatima Shaik reflects on freedom of expression, gentrification, and the state of education in New Orleans. You could also check out Gary Rivlin’s Katrina: After the Flood, featured in our 2015 nonfiction preview.
After the Storm
Millions Milestone
The Millions turned eight years old last week. We appreciate your support, which has helped to keep The Millions growing and thriving. Thank you!
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Garth Greenwell’s Rules for Weathering the Artist’s Life
Over at Lit Hub, Garth Greenwell shares his commencement speech for Bennington College, in which he shares his "seven very opinionated thoughts "on weathering the artist's life.
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Revolution Girl Style Now
Listen up, rebel girls! The October issue of The Believer features selections from New York University’s riot grrl collection, curated by archivist Lisa Darms.
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In Memoriam: Gordon Willis
Gordon Willis, the celebrated cinematographer who worked on The Godfather films and Annie Hall, passed away Sunday at the age of 82. The Paris Review has posted a short “In Memoriam,” which serves as both a wonderful introduction to the work of this artist and a knowing celebration of his work, complete with a video of Manhattan‘s bridge scene and an interview with Willis himself.
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A Moveable Photo
What do you get if you combine Man Ray with some of the most celebrated artistic figures of 1920’s Paris such as Ernest Hemingway, Lee Miller, and Marcel Duchamp? The answer is: some predictably fantastic portraits. For more on Man Ray, here’s a moving essay on how his Hollywood Album redefined Liska Jacobs’ idea of a “life’s work.”
A Thing of Beauty
“Hitler increasingly presented himself in messianic terms, promising ‘to lead Germany to a new era of national greatness,’ though he was typically vague about his actual plans.” The New York Times‘ Michiko Kakutani writes a review of Volker Ullrich‘s new Hitler biography, Hitler: Ascent, 1889-1939, so timely it could easily be an op-ed. Just read it. And when you’re done, read this too.
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A Rap on Race
Check out this conversation between Margaret Mead and James Baldwin on race, guilt, and responsibility.
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