Ten years after hurricane Katrina, Fatima Shaik reflects on freedom of expression, gentrification, and the state of education in New Orleans. You could also check out Gary Rivlin’s Katrina: After the Flood, featured in our 2015 nonfiction preview.
“It may be vanity on my part … but I have a fairly high opinion of the two pieces that I sent in.” A 68-year-old aspiring writer has accused the Iowa Writers’ Workshop of age discrimination, reports The Los Angeles Times. In his complaint, Dan Thomson cites “statistics from the program that reveal that, in the last five years, just over 100 would-be graduate students over the age of 50 applied to the program, but none made the cut.” Doesn’t he know you don’t need an MFA, anyway?
If Claudia Rankine writes it, it’s safe to say I’d recommend it. Here she is in a long, lovely essay on Adrienne Rich and her poetic transformations.
I didn’t expect to find a Chinese poem more ornate than Su Hui’s palindromic, pre-oulipan “Xuanji Tu,” but apparently I underestimated myself. Here’s “Lion-Eating Poet in the Stone Den,” a 92-character poem by Yuen Ren Chao which relies on the tonal variations of a single sound (shi) to tell the story of a “lion addict” with a taste for big cats. For a really crazy experience, I recommend listening to the poem being read aloud.
A startling conclusion from this data visualization of where in words each letter of the alphabet tends to fall: “the most common word may be ‘the, but the most representative word is ‘toe.’ ” (Also available: detailed methodology and algorithms for the data geeks; an explanation of data-viz as a narrative form for everyone else.)