“What made The Great Gatsby so great? Does everyone think he’s that great? Why?” Just in time for the back-to-school rush: essay questions from a teacher who didn’t finish any of the required reading (a.k.a. McSweeney’s).
“To some degree, as I move outside of the exclusive genre audience, the exclusive genre issues don’t bother me as much.” The Atlantic talks with N.K. Jemisin, the first black writer to win speculative fiction’s Hugo Award for Best Novel for The Fifth Season. We wrote about Jemisin’s work when she was nominated for the Hugos a few years back.
Stephen King, Haruki Murakami, Chris Adrian, James Frey, and Peter Nádas are all in the running for the 19th annual Bad Sex Award. The award will be presented by the UK’s Literary Review on December 6th. Last year’s prize(?) went to Rowan Somerville for his work(?) in The Shape of Her. If you’d like to read snippets of the sex scenes in question, check out the publication’s Twitter feed.
What does Jonathan Franzen think of the cover for Freedom? What about Charlotte Strick, the book’s designer? Or the photographers that took photos of those trees, of that blue warbler? Talking Covers has collected their thoughts, and plays host to other cover-related conversations besides. Check out this one The Flame Alphabet.
Now this is the kind of fellowship an author can really get behind: The Standard, East Village, has teamed up with The Paris Review to offer a free hotel room to a writer in need of “three weeks of solitude in downtown New York City.” The deadline for applications is November 1. And in case you’re wondering, the answer is yes. Of course the fellowship will conclude with a swank cocktail party.
“Should we understand a photographic document as being first and foremost an artifact of memory, a light-written ghost? Or is it more important to stress its status as a material thing created from pigment, silver, emulsion, paper, plastic, glass, silicon sensors, pulses of electricity? Or is the photograph primarily an opportunity to take or make, an arena for a special type of action?” On Polaroids, instantaneous photography, and memory over at The Nation.