Out this week: Fortune Smiles by Adam Johnson; Eileen by Ottessa Moshfegh; A Manual for Cleaning Women by Lucia Berlin; The Incarnations by Susan Barker; The Automobile Club of Egypt by Alaa Al Aswany; Darkness the Color of Snow by Thomas Cobb; The Investigation by J.M. Lee; and Browsings by the Washington Post critic Michael Dirda. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
This week, the Ransom Center at UT-Austin opened up its archives of the works of J.M. Coetzee. Because the Nobel Prize winner is an alumnus, he says it’s “a privilege to have graduated from being a teaching assistant at The University of Texas to being one of the authors whose papers are conserved here.” (Fun fact: his starting salary was $2,300 a year.)
The Los Angeles Review of Books interviewed Xujun Eberlein, a “China-born and now Boston-based” short story writer, essayist and blogger about recent literary happenings in her native country. The first question they asked has to do with Finnegans Wake, which is selling surprisingly well in Chinese bookstores.
Annie Dillard’s The Writing Life might well be the only book in history to draw comparisons between creative writers and stunt pilots. At Brain Pickings, Maria Popova calls attention to a description of Dave Rahm, the real-life pilot who inspired Dillard’s analogy.
“Still, what he captured with genius was the ontological unease of a world in which the human and the abhuman, the real and the fake, blur together.” An essay in the Boston Review argues the importance of Philip K. Dick‘s literature— where the real and fake intersect and collide — and the world we live in today. From our archive: on the pleasures of Dick’s sometimes awful prose.