Out this week: Fortune Smiles by Adam Johnson; Eileen by Ottessa Moshfegh; A Manual for Cleaning Women by Lucia Berlin; The Incarnations by Susan Barker; The Automobile Club of Egypt by Alaa Al Aswany; Darkness the Color of Snow by Thomas Cobb; The Investigation by J.M. Lee; and Browsings by the Washington Post critic Michael Dirda. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
New York Times travel editor Monica Drake recounts visiting Antigua after reading Jamaica Kincaid’s A Small Place—a sharp critique of tourism and the colonialist narrative around the island. As she puts it, “For all the drama of its history, […] the beauty of the place, the very thing that bewitches its tourists, renders it a time capsule to its residents.”
What writers are actually earning money? Over at Electric Literature, Lincoln Michel takes a look at the new Author Earnings report, which scours Amazon bestseller lists and extrapolates the data to make claims about the state of publishing and self-publishing. Here’s an older Millions piece by Edan Lepucki on self-publishing as supplemental and influential to the traditional route.
We’ve seen a proliferation of junky editions of out-of-copyright classics, but we’ve also noted gorgeous new hardcovers from Penguin and now from much smaller outfit White’s Books, including Emma, Wuthering Heights, Charles Dickens’ Christmas Books, and several others.
“[I]t’s important that people begin to understand that whiteness is not inevitable, and that white dominance is not inevitable.” Claudia Rankine talks to The Guardian about her plans for the Racial Imaginary Institute, a think-tank-cum-gallery that she’s founding with all that MacArthur Genius cash. See also: why Americans love poetry, but not poetry books.