Out this week: Flood of Fire by Amitav Ghosh; Wind/Pinball by Haruki Murakami; The Marriage of Opposites by Alice Hoffman; Let Me Tell You by Shirley Jackson; Three Moments of an Explosion by China Miéville; The Girl Who Slept with God by Val Brelinski; Make Your Home Among Strangers by Jeanine Capo Crucet; and The Daughters by Adrienne Celt. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
Tuesday New Release Day: Ghosh; Murakami; Hoffman; Jackson; Miéville; Brelinski; Crucet; Celt
Sasha’s Favorite Albums
Sasha Frere-Jones, who you may know from his work at The New Yorker, has listed his favorite albums of 2011, and even put together a Spotify playlist of some of his favorite singles. Isn’t that nice of him?
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In Their Own Words
The translators behind books such as Don Quixote, My Struggle, and Swann’s Way talk about their translation process. Lydia Davis explains, “When I was translating novels, I would not read the text first, and that was very important to me because it let me retain the excitement of the unknown.”
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Noble Things
Recommended Reading: A Public Space has new fiction from Roxane Gay, whose novel An Untamed State was recently reviewed for our site by Aboubacar Ndiaye.
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Prank Fodder
With April Fool’s Day approaching, it’s a good time to wonder: what kinds of horrible things will you do to the people you love? At the OUP’s blog, a list of great pranks for inspiration.
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The Life and Fashions of Elena Ferrante
Hannah Gold takes a closer look at the role fashion plays in the novels of Elena Ferrante as an instigator of action and deep symbolism.
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“That’s some catch, that Catch-22”
Vanity Fair takes a closer look at Joseph Heller‘s tragicomic novel Catch-22. If you’re in NYC this August, you can supplement this reading with McNally Jackson’s “Ask Me About…” series.
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On Sailing the Sea of Story
Recommended Listening: Ursula K. Le Guin talks with host David Naimon about her classic book Steering the Craft and argues that issues of class, race, gender, and morality cannot be separate from grammar. Pair with Paul Morton’s Millions interview with the author.
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