“In Colombia, Mexico, Nigeria, Mozambique, it’s the real thing, not magic, and the only way to tell these stories.” Man Booker International Prize finalist Mia Couto discusses the label “magic realism,” the death of Cecil the lion, his new novel Confession of the Lioness – one of the most anticipated books of 2015, and post-civil war Mozambique. Pair with Philip Graham’s Millions essay on Couto’s fiction.
The Real Africa
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How Yasmin Zaher Wrote the Year’s Best New York City Novel
"This is going to sound absurd, but in a novel, you can say the truth, and in journalism, you cannot."
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Things Got Weird: On the Early ‘90s Crack-Up
Ganz vividly renders the early 1990s’ shouty yet blankly confused alienations along with the endlessly gassy and vituperative “whither America?” debates.
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The Beguiling Crónicas of Hebe Uhart
'A Question of Belonging' is marked by an unerring belief that a good story can be found almost anywhere.
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