“In Colombia, Mexico, Nigeria, Mozambique, it’s the real thing, not magic, and the only way to tell these stories.” Man Booker International Prize finalist Mia Couto discusses the label “magic realism,” the death of Cecil the lion, his new novel Confession of the Lioness – one of the most anticipated books of 2015, and post-civil war Mozambique. Pair with Philip Graham’s Millions essay on Couto’s fiction.
Ever thought that writing a novel was like a video game you just couldn’t win? In the new video game The Novelist, players count pages not bodies as they try to help the protagonist balance writing with his family life. “There’s no winning or losing,” designer Kent Hudson said. “[M]y hope is that as you’re presented with the same fundamental question … over the course of the game, that you start to learn about your own values.”
Three finalists have been named for this year’s $10,000 Albertine Prize: Eve Out of Her Ruins by Ananda Devi, The Heart by Maylis de Kerangal, and Bardo or Not Bardo by Antoine Volodine. Voting is open until Sunday, April 30th. Also, you can read more about Volodine’s work courtesy of Grant Munroe.
Along with D.T. Max, Laura Miller, and Jason Kottke, I’ll be participating in this week’s discussion of Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace over at New York Magazine.
Writing about a foreign country is always a dodgy proposition, but it seems to be especially thorny when English people and Americans take on their transatlantic brethren. Looking over two contributions to the genre by English writers — Terry Eagleton’s Across the Pond and A.A. Gill’s To America With Love — Carlin Romano concludes that neither manages to “teach us something new about ourselves.”