“It can be difficult to talk about Uzbek without soaring into Orientalist flights. ‘O warbling beauty of the steppe!’ I started to write, like a 19th-century lady traveler.” Our own Lydia Kiesling is in the New York Times writing about studying Uzbek and speaking Turkish.
“O Warbling Beauty!”
Fuck Me, Ray Bradbury
This pornographic valentine to Ray Bradbury is an anthem for all bookish teenage girls out there.
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“Sleep is strange”
Recommended Reading: In an essay for Poetry, Siobhan Phillips explores an “old connection” – the tie between sleep and poetry – using Lyn Hejinian’s Book of a Thousand Eyes as a compass.
Vitality/Banality
To prepare us for the release of Italo Calvino’s letters, the editors at Page-Turner are running excerpts from the book. In their latest installment — following their first two — Calvino describes New York City, which “swallowed [him] up like a carnivorous plant.”
Two Tumblrs Worth Seeing
Consider these two Tumblrs as late additions to my three-part (one, two, three) taxonomy of literary blogs. Writers at Work is three years in the making, so we’re a bit late to the party, but Erasing Infinite, which creates erasure poems out of each page of Infinite Jest, looks like it’s got a long way to go before it’s finished.
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Also Need a 4-Wheel Drive
Must be willing to perform “light, household maintenance.” Harry Bliss, an illustrator and cartoonist at The New Yorker, has purchased the former home of J.D. Salinger and will turn it into a retreat for one lucky cartoonist during February 2017. Pair with our review of J.D. Salinger: A Life, a comprehensive biography of the famously reclusive writer’s work.
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Novelistic Ambitions
David Kurnick explores what makes Elena Ferrante’s Neapolitan novels so addictive. As he puts it, “In Ferrante we see what grand novelistic ambition looks like devoid of writerly vanity.” Pair with Cora Currier’s essay on reading Italy through Ferrante’s books.
David Foster Wallace In Brief
“Wallace’s fiction contains enormous cruelty… But it is also a deeply moral body of work. Its difficulties, and many of its cruelties, exist for specific reasons. Whether Wallace’s fraught projects are successes or failures is up to the individual, but these are judgments that all serious readers should want to make for themselves.” Chris Power considers David Foster Wallace‘s short stories in an essay for The Guardian and argues that after Infinite Jest they just might be the most important work he produced.