A surreal theater production of Haruki Murakami’s Kafka on the Shore, directed by Yukio Ninagawa, premiered at the Lincoln Center Festival in July. Ian Buruma writes for the NYRB about the marriage of tradition and modernity, and Western and Eastern references in the play. As he puts it, “even without traditional references, the production—perhaps more than Murakami’s novel—is still unmistakably Japanese: stylized, poetic, comical, violent, full of spectacular effects, and often exquisitely beautiful to look at. The setting jumps at lightning speed from a bus station, to a library, to a sleazy bar area. Various characters emerge and disappear, like memories or scenes from a dream, in an assortment of moving transparent boxes.”
To kick off South Florida’s O, Miami poetry festival (which I’ve written about before), event organizers and WLRN staffers are asking local residents to snap photos of “a place in South Florida that means something to [them],” and “write a short poem about it including the phrase ‘this is where.’” Then, share the poems and photos on Twitter or Instagram for a chance to be featured throughout the month of April. Meanwhile, the New York Times is on it.
Read our own Edan Lepucki’s great review of Selfish, Shallow and Self-Absorbed: Sixteen Writers on the Decision Not to Have Kids? Then you might want to read Vivian Gornick’s complementary take on the book. In Bookforum, she reads Meghan Daum’s anthology as well as Kate Bolick’s Spinster, placing the two in a broader feminist context.
95-year-old Lawrence Ferlinghetti plans to publish his travel journals in September 2015, reports SFGate. The journals should cover his experience as a submarine chaser in World War II through his doctoral studies at the Sorbonne, as well as his travels through Central and South America later on.