Murakami on the Stage

August 18, 2015 | 1 book mentioned

A surreal theater production of Haruki Murakami’s Kafka on the Shore, directed by Yukio Ninagawa, premiered at the Lincoln Center Festival in July. Ian Buruma writes for the NYRB about the marriage of tradition and modernity, and Western and Eastern references in the play. As he puts it, “even without traditional references, the production—perhaps more than Murakami’s novel—is still unmistakably Japanese: stylized, poetic, comical, violent, full of spectacular effects, and often exquisitely beautiful to look at. The setting jumps at lightning speed from a bus station, to a library, to a sleazy bar area. Various characters emerge and disappear, like memories or scenes from a dream, in an assortment of moving transparent boxes.”

is an intern for The Millions. Her writing has appeared or is forthcoming in BOMB, Ploughshares online, Music & Literature, Words Without Borders, and elsewhere. She is currently the assistant fiction editor for Washington Square Review. She tweets at @bdantaslobato.

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