“It’s likely Lucia would have felt more comfortable watching a bull be gored in a Mexico City arena or huddling among winos on a corner in Oakland than she ever felt at her first place on posh Mapleton Hill.” Elizabeth Geoghegan for The Paris Review on Lucia Berlin, whose A Manual For Cleaning Women is out now.
There’s been a lot of digital ink spilled about the traumas lurking in the comment section. It’s almost a rite of passage to get abused for something you write. But there’s another kind of trauma -- what happens when you get no comments at all? At The Rumpus, Rachel Newcombe writes about a new kind of emptiness.
In The Atlantic Adrienne Green reviews the growing number of Young Adult novels tackling racial injustice and how this increase on the topic is no coincidence. "Coming out of the crucible of the past few years—during which young people have been integral to pushing conversations about the unjustified killings of black men to the forefront—the novels capture the many ways that teens of color cope with prejudice, whether through activism or personal accountability or protest."
It looks like Jonathan Safran Foer will be publishing his first novel in eleven years next fall. The book, tentatively titled Here I Am, is the story of an American Jewish family, set against a background of traumatic events in the Middle East including earthquakes and an invasion of Israel. Foer’s last novel, Extremely Loud and Incredibly Close, enjoyed tremendous critical and commercial success. Here’s a piece on JSF’s crazy, confusing, die-cut book Tree of Codes.
American readers can now get their hands on the latest from Martin Amis, Lionel Asbo: State of England. Also out this week: The Devil in Silver by Victor LaValle, Paul Auster's memoir Winter Journal, Dan Fesperman's spy novel The Double Game, and a pair of debuts, Hanna Pylväinen's We Sinners and Amanda Coplin's The Orchardist.