“It’s likely Lucia would have felt more comfortable watching a bull be gored in a Mexico City arena or huddling among winos on a corner in Oakland than she ever felt at her first place on posh Mapleton Hill.” Elizabeth Geoghegan for The Paris Review on Lucia Berlin, whose A Manual For Cleaning Women is out now.
George Saunders delivered a little publicized convocation at Syracuse University this year. His main advice to the class of 2013 — be kind. "And so, a prediction, and my heartfelt wish for you: as you get older, your self will diminish and you will grow in love. YOU will gradually be replaced by LOVE," he said.
“Throughout the Crash, I wrote free-hand, not caring about the style or if something I wrote in the afternoon contradicted something I’d established in the story that morning. The priority was simply to get the ideas surfacing and growing. Awful sentences, hideous dialogue, scenes that went nowhere – I let them remain and ploughed on.” Newly minted Nobel laureate Kazuo Ishiguro on writing The Remains of the Day in four weeks.
In general, fact-checking isn’t the most glamorous part of a journalist’s career, which is why Michael Erard was surprised to find that a recent fact-checking session for an Al Jazeera article turned out to be among the most interesting conversations of his life. Why? His sources were linguists, and their job was to explain to him the workings of brand-new sign languages.
The new book Robert Musil and the NonModern offers David Winters a chance to revisit The Man Without Qualities. (While you're at it, check out the essay on literary theory Winters wrote for us in September...and Matthew Gallaway's piece on Musil from January.)
"What's it like to write a novel in prison?" An interview with Daniel Genis addressing this and similar questions is online at The Airship. For more writing about and after prison, be sure to check out our own interview with Matthew Parker, author of Larceny in My Blood:A Memoir of Heroin, Handcuffs, and Higher Education.