“Setting is often the last piece of the jigsaw. I start somewhere else—with a kind of a premise, a set of relationships, a theme—and I often have a long period when I can’t figure out where the story should be put down. I find myself going location hunting. Not just for a time and place, but also for a genre, if you like.” Kazuo Ishiguro on the Hazlitt podcast. For more things Ishiguro, here is our own Lydia Kiesling’s review of Ishiguro’s latest novel, The Buried Giant.
As the lone mental hospital in The Magic Mountain referred to by its real name, the Hotel Schatzalp is a holy site for many Thomas Mann scholars and fans. At Page-Turner, Sally McGrane writes about the modern hotel, which employs a staff trained to deal with the occasional “literary fanatic.” (It also might be a good time to read Matthew Gallaway on Death in Venice.)
The New York Times looks back on Nora Ephron’s career and celebrates her distinct tone. EW has collected some of the best quotes from her books. Ariel Levy recalls her first encounter with Ephron’s “funny, frank, self-effacing but never self-pitying, and utterly intimate” voice.
It’s been a good year for Alfred Hitchcock, what with Vertigo beating out Citizen Kane in the once-a-decade Greatest Movie of All Time poll conducted by Sight and Sound. At Full-Stop, Rachel Baron Singer takes a look at Hitchcock and The Girl, both of which examine “the dark side” of Hitchcock’s genius.
13-year-old Charlotte Brontë and her brother Branwell wrote adventure books in 2-inch books they sewed themselves. The results are exactly as adorable as you imagine. (Pair with our own essay on the sisters’ beginnings.)
Millions favorite Geoff Dyer, author of Otherwise Known as the Human Condition, is going to start writing a column for The New York Times‘ Book Review. “Reading Life” will detail “the ups and down of his long relationship with the written word. What do we do to books and what do books do to us? How do they delight and derange?” His first column can be found here.
If you enjoyed the profile of Anne Carson in the latest New York Times Magazine – fictitious “ice bats” notwithstanding – you’re going to really love Parul Sehgal and Nathan Huffstutter’s two takes on Red Doc>. The work, Sehgal writes, is “suspended between what it is and what we want it to be.” And also, writes Huffstutter, it’s a work that “courses with a wit shot through with intelligence and humility.”
“While we’re sad to discontinue the print edition of Print Lovers Magazine, we’re very excited to see how the advantages of digitizing will benefit our publication. First and foremost, going web-only will bring about a whole new world of ad sales opportunities, making it easier to fund this publication that we cherish so dearly. Additionally, by discontinuing the print edition of Print Lovers Magazine, we’re going green!”