“I’ve learned that people—writers and non-writers alike—don’t like that word. Failure…. I take a bizarre pleasure, now, in using that word. Maybe because during my decade as a failed writer, the one thing that took the edge off was wallowing in that failure—carefully, in a proscribed fashion, like having a drink when you’re still hungover.” Stephanie Feldman writes for Vol. 1 Brooklyn about being a literary failure, about the two books she wrote and never published, and about the one she finally did. Pair with the stories of these 5 writers and their failed “novels in drawers.”
Failure
New Hardcovers with Paul Ingram
Watch beloved bookseller at Iowa City's Prairie Lights Paul Ingram talk about this season's best hardcovers. I loved getting his recommendations in person, and this is almost--almost!--as good. (via.)
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“The danger that is Lagos”
“Even after I realize that we are being robbed, that bullets can shatter glass, that being locked in is no help in this situation, I still feel a vague resentment at having to hand the laptop over. It’s mine. It contains my work, a week of writing, a month or more of photography, personal information. I have hesitated only a few seconds but feel as though I have just woken from a trance: briefly, I imagined myself with a bullet in my thigh, imagined myself bleeding out in traffic in Ojota.” At Granta, Teju Cole writes about living in Lagos.
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Tuesday New Release Day: Fowler; Kundera; Swyler; George; Arango; Khalastchi; Makkai
Out this week: Black Glass by Karen Joy Fowler; The Festival of Insignificance by Milan Kundera; The Book of Speculation by Erika Swyler; The Little Paris Bookshop by Nina George; The Truth and Other Lies by Sascha Arango; Tradition by Daniel Khalastchi; and Music for Wartime by Rebecca Makkai. For more on these and other new titles, check out our Great 2015 Book Preview.
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A Quality of Immortality
"When watching [Abbas] Kiarostami films, one also has a great sense of another kind of freedom not found in Hollywood movies, nor in most European art films: freedom from the creeping realization that a film we are watching was made by a cynical shit or a self-deluded megalomaniac." Here's something you don't see every day -- an essay that begins with an Independence Day showing of The Purge: Election Year, and somehow ends up at a poetic examination of Kiarostami's artistic legacy.
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Global Crises, International Art
Olugbemisola Rhuday-Perkovich put together a reading list to help children understand the global refugee experience, and Kaveh Akbar compiled a list of poems from the seven countries — Iran, Libya, Yemen, Sudan, Somalia, Iraq, and Syria — impacted by President Donald Trump’s executive order. Meanwhile, Kieran Hebden (a.k.a. Four Tet) has been curating a Spotify playlist of music from those countries as well.
What’s Important
The Los Angeles Review of Books looks at a new history of K Records, the influential Olympia, WA-label that gave us Beat Happening, Modest Mouse, and Kurt Cobain's arm tattoo.
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From Under a Heavy Plinth
"The story that Lee’s book tells (or tries to tell, because much evidence has been obscured or lost) is not about patience on a monument but about talent buried under a heavy plinth, and discovered only just in time—the late achievement less a measured distillation than a lifesaving decoction." James Wood reviews Hermione Lee's new biography of novelist Penelope Fitzgerald for The New Yorker. Pair with Niamh Ni Mhaoileoin's Millions essay on the new age of biography.
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