“I’ve learned that people—writers and non-writers alike—don’t like that word. Failure…. I take a bizarre pleasure, now, in using that word. Maybe because during my decade as a failed writer, the one thing that took the edge off was wallowing in that failure—carefully, in a proscribed fashion, like having a drink when you’re still hungover.” Stephanie Feldman writes for Vol. 1 Brooklyn about being a literary failure, about the two books she wrote and never published, and about the one she finally did. Pair with the stories of these 5 writers and their failed “novels in drawers.”
Failure
Tuesday New Release Day: Baxter, McElroy, McSweeney’s, Carey
New out this week is Gryphon, Charles Baxter’s new collection of stories. Joseph McElroy also has a new collection of stories out, Night Soul. The latest McSweeney’s (featuring that fragment from an abandoned novel by Michael Chabon) is now available, and new in paperback is Peter Carey’s Parrot and Olivier in America. Many more new books to look forward to, of course, in our massive preview published last week.
A resolution
On the relative statuses of literary, mainstream, and genre fiction: a resolution. (From Stephanie Anderson, manager of WORD in Brooklyn.)
Infinite Boston
Earlier this month William Beutler, a D.C. based writer, started a blog about the landmarks in Boston that inspired the landscape of David Foster Wallace’s Infinite Jest. Beutler does a great job chronicling the real-life history of different buildings and explaining how DFW altered them to fit into his novel.
●
●
D) All of the Above
“I guess the book could be read also as poetry, but I just didn’t want to define this book, I didn’t want to put it under any label.” The Rumpus interviews Chilean author Alejandro Zambra about his newest book, Multiple Choice. And if you want more Zambra – and believe us, you do – we interviewed him too back in 2011.
Andrei Tarkovsky’s Papers Return to Russia
Following last week’s Sotheby’s auction, the archives of Soviet filmmaker Andrei Tarkovsky will soon be headed back to Russia. The collection amounts to “several thousand working manuscripts, personal photographs, recordings and private documents” and it sold for a whopping £1.5 million.
●
●
Can Cash Money be Caro’s Next Project?
Eric Brightwell has written a great primer on “the independent years” of Cash Money Records (ca. 1991-1998). Now that the outfit has its own publishing arm, Cash Money Content, I suggest you brush up.
●
●