Want to write like Charles Bukowski? Just follow these simple rules.
Bukowski’s Rules
RIP Jim Harrison
Jim Harrison, outdoorsman and author of Legends of the Fall, has passed away at 78. Harrison was a prolific writer whose lust for life was evident in the scores of essay and poetry collections he published during the course of his career. Our own Bill Morris has some thoughts on why Harrison never managed to garner the audience that a writer of his caliber deserved.
Professor Díaz
Junot Díaz has criticized MFA programs for being “too white.” So what’s on his syllabi? Salon found the syllabi for the two courses Díaz teaches at MIT. In his fantasy world-building class, students read everyone from Bram Stoker to Octavia Butler. His advanced fiction course includes stories by Edwidge Danticat and Roberto Bolaño. Where can we sign up?
Black Lives Matter
Following the recent violence in the U.S., the editors at n+1 offer resources and articles from the archives. You could also read yesterday’s article asking what political writing is or Michael Bourne’s review of Nancy Isenberg’s White Trash.
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Stranger Than Fiction
This essay from Adrian Barnes at The Daily Beast on cancer and fiction and how the two mirror one another is eerie and fascinating. This review of Rebecca Solnit’s The Faraway Nearby from The Millions addresses this tendency of writing and real world illnesses to feed of of one another.
Grand Officier Yaşar Bey
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The Gang
It’s hard to get a better glimpse of the postwar white male American writer than the essays of William Styron. In My Generation, a new book of collected nonfiction, Styron writes about a raft of his contemporaries, including but not limited to Philip Roth, James Baldwin and Truman Capote. In the NYT, Charles Johnson reviews the collection. You could also read Alexander Nazaryan on a book by Styron’s daughter.
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Jewel Boxes
Colm Tóibín’s new book on Elizabeth Bishop is unusually hard to categorize. Part “primer,” part “personal reflection,” in Jonathan Farmer’s words, it moves back and forth between analysis and lyricism, alternating passages of beauty with nuts-and-bolts guides to Bishop’s poems. In Slate, Farmer tries to nail it down. You could also read our own Michael Bourne’s review of Tóibín’s The Master.