“Every story I have ever told has a kind of breach to it, I think. You could say that my writing isn’t quite right. That all the beginnings have endings in them.” Lidia Yuknavitch, who recently published an essay, “There is No Map for Grief,” in the Millions, now has an essay on violence, beauty and and storytelling in Guernica.
Now, Vintage asks: what will be the classics of the future? (via Maud)So, I don't get it. Did Bob Woodward have this book waiting in a desk drawer until Deep Throat's identity was revealed? Woodward is a good journalist, but he may be a better businessman. USA Today scored a copy a week early and reveals some Watergate-era tidbits here.I got a free trial download from Audible.com, the digital audiobook store. I selected Under the Banner of Heaven by Jon Krakauer. The downloading process was very quick and easy. I'll let you know how the listening experience is once I find time to check it out.
It's not always a given that good people make good characters. Over at The Atlantic, Tony Tulathimutte explains how none other than one Philip Roth taught him the importance of showing every aspect of your characters–even the bad ones. Here's an older piece from the same series in which Paul Lisicky writes about Flannery O'Connor and her "flawed characters."
We once wondered if Lionel Shriver is America's best writer, and she once shared with us her love for William Trevor. In an interview with The Atlantic, she talks about not having kids and says the adaptation of We Need to Talk about Kevin "is a far better film than I had any reason to expect them to be able to make."