“Every story I have ever told has a kind of breach to it, I think. You could say that my writing isn’t quite right. That all the beginnings have endings in them.” Lidia Yuknavitch, who recently published an essay, “There is No Map for Grief,” in the Millions, now has an essay on violence, beauty and and storytelling in Guernica.
All the Beginnings Have Endings
Invisible Ink
Recommended Reading: On Elizabeth Bishop’s secret writings.
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Are Babies Racist?
Are critically acclaimed authors really terrible? Is feminism bad for women? New York Magazine runs down the greatest hits of what appears, in hindsight, to have been the Decade of Counterintuition (and, in the process, catalogues many of my personal bêtes noires).
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Read Dickens Now!
Charles Dickens turns 200 in February, which is one good explanation for two new biographies (Charles Dickens: A Life) and (Becoming Dickens) appearing just in time. But even more importantly, why is now the perfect time to read him? Here's one hint: the man's vast social imagination.
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On (Not) Being a Mother
"The lie I told most often in my twenties during the Reagan era was that I liked other people’s children although I didn’t intend to have my own." For The Rumpus, Kyoko Mori writes an essay on the choice to raise animals instead of children. Pair with: an essay on the complexities of motherhood.
Sam Lipsyte’s The Ask
At FiveChapters this week, you can read an excerpt of Sam Lipsyte's forthcoming novel, The Ask.
Betting Big
The Wall Street Journal explores the phenomenon of the million-dollar literary debut. Pair with Edan Lepucki’s Millions interview with her agent about publishing a first book.
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