“Every story I have ever told has a kind of breach to it, I think. You could say that my writing isn’t quite right. That all the beginnings have endings in them.” Lidia Yuknavitch, who recently published an essay, “There is No Map for Grief,” in the Millions, now has an essay on violence, beauty and and storytelling in Guernica.
All the Beginnings Have Endings
An American Poem
“I offer you a moody campaign!” Illustrator Nathan Gould revisits the 1992 presidential election, in which badass feminist (and really great writer) Eileen Myles ran as an “openly-female” write-in candidate.
Requiescat in pace, TriQuarterly
TriQuarterly, the long-running trail-blazing literary journal more or less dreamed into existence by the late Charles Newman, is apparently no more, due to budget cuts at Northwestern University. Newman’s foreword to his first issue as editor, reprinted at A Public Space, should be required reading for anyone thinking about the purpose and future of the little magazine and its role in the artistic ecology.
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AWP Madness
If you’re going to be at AWP, check out the Flatmancrooked and Mud Luscious Press “Author vs. Puppet” reading (and, yes, puppet show). I’ll be reading/puppeteering, as will novella writers Emma Straub and Alyssa Knickerbocker, among others. The fun starts at the Flatmancrooked booth on Friday at 4 pm!
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Light as a Feather
“We can work harder to mourn, get better at it, connect it better to how we live, how we care for people, how we educate people. It’s politics, for me.” ZYZZYVA interviews Max Porter about his Grief Is the Thing with Feathers. Pair with Lidia Yuknavitch’s Millions essay on grief and art.
In The Shadow of Odessa
Craig Fehrman reviews Keith O’Brien’s Outside Shot, a book which follows the 2009-10 boys’ basketball team at Scott County High School in Georgetown, Kentucky. O’Brien’s book is much in the mold of Buzz Bissinger’s Friday Night Lights, writes Fehrman, in that it’s concerned with a “troubled town, precarious season, political resonance” – but it’s also a book that falters under the legacy of its predecessor.
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Coming Out of the Woodwork
“Suddenly, it seems like gay characters are everywhere in Y.A. literature. Or, if not everywhere, certainly in far more places and in a greater variety than ever before.”
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