“Every story I have ever told has a kind of breach to it, I think. You could say that my writing isn’t quite right. That all the beginnings have endings in them.” Lidia Yuknavitch, who recently published an essay, “There is No Map for Grief,” in the Millions, now has an essay on violence, beauty and and storytelling in Guernica.
“I couldn’t tell if a poem I was writing would come to anything or not until the last line was there. That’s always been my method. I may have revised less than some other poets, but I think I write as much crap as anyone.” Kaveh Akbar interviews Sharon Olds about inspiration, contemporary poetry, and rejection letters for Divedapper. Pair with this Millions piece, featuring seven editors looking back on their rejection styles.
It’s the last day to vote on panels at SXSW interactive 2013. So if you wanna hear how our editor in chief, C. Max Magee, and our friends Andrew Womack, from The Morning News, and Kevin Nguyen, from The Bygone Bureau, have changed the game with independent long form digital publishing, you better cast your vote today.
You may have heard that X-Files star David Duchovny published a novel last week. The
book, which developed out of an idea Duchovny had in college, centers on a teenage cow named Elsie who befriends a Yiddish-speaking pig. At Salon, Anna Silman interviews the actor/author, who talks about his book’s allegorical nature and his rumored beef with Vancouver.