“What I want to know is, since when does making art require participation in any community, beyond the intense participation that the art itself is undertaking? Since when am I not contributing to the community if all I want to do is make the art itself?” Meghan Tifft gives voice to the struggle of the introverted writer in an essay for The Atlantic.
Adam Mansbach’s “viral,” tongue-in-cheek kids’ book for adults, Go the F–k to Sleep is now out. We interviewed Mansbach years ago, pre-frenzy, about other matters. This week also offers up a pair of much anticipated novels for the literary set, The Astral by Kate Christensen (don’t miss Edan’s interview with Christensen today) and The Curfew by Jesse Ball, and a rather specialized tome for fans of literary history, Nom de Plume: A (Secret) History of Pseudonyms.
Last week marked the release of The Heart is Strange, a new collection of John Berryman poems released to coincide with the centenary of the poet’s birth. At The Paris Review Daily, Dan Piepenbring digs through the magazine’s interview archives to find Berryman’s account of meeting W.B. Yeats. Pair with: Stephen Akey on Berryman’s classic The Dream Songs.