“We get the book adaptations we deserve… We need to re-tell these stories over and over because each generation sees them in a different way, needs different things from them. We tell these stories again and again, their survival over time proof of their intrinsic value. People are writing new Zeitgeist-y things all the time of course, but we return to classics because the stories have endured for a reason.” Sky Friedlander on the “Literary Period Piece.”
At McSweeney’s Internet Tendency, a disgruntled Laura Jayne Martin rants about why she is tired of sharing an apartment with poet William Carlos Williams.
Cee Lo Green will be dropping a memoir in 2013, and his press release reads like something that’s gone through four different spins in Google translator: “Talk about art imitating life? Enter into the super-natural, the surreal and the extra-ordinary that is [Cee Lo Green.] Do you think this is by chance? CRAZY? FORGET YOU? After reading this book, there will be no doubt that I am meant to be. CEELO GREEN A.K.A ‘everybody’s brother’ will make you a believer, not only in me, but also…yourself.”
Columbia once moved its twenty-two miles of books by sending them down a really, really long slide. As The Paris Review documents, in 1934, the university stocked its then-new Butler Library with a slide that ran from Low Library to the new building. (No word on whether the slide is secretly used to this day.)
Even though the advice to “kill your darlings” implies editing your writing is a painful process, some writers relish it. At The New York Times, Pamela Erens discusses the pleasures of trimming down her writing. “For every word I cut, I seem to have more space between my ribs, more lung capacity.” For more Erens, read her essay on accepting her book cover.