“We get the book adaptations we deserve… We need to re-tell these stories over and over because each generation sees them in a different way, needs different things from them. We tell these stories again and again, their survival over time proof of their intrinsic value. People are writing new Zeitgeist-y things all the time of course, but we return to classics because the stories have endured for a reason.” Sky Friedlander on the “Literary Period Piece.”
“She was to me and so many poets an exemplary and inimitable figure. And I mean to emphasize the tension between ‘exemplary’ and ‘inimitable’—what her example taught us was the necessity of going our own way, of being one with others.” Ben Lerner remembers C.D. Wright, who passed away earlier this week.
Ebony has a brief list of “Six Caribbean Writers to Discover This Summer,” and it’s a nice complement to Fortnightly Review’s recent double-feature on Dominican poets Homero Pumarol and Frank Báez. I also recommend checking out Generación Año Cero, an online collection of sixteen short stories from a “movement of [Cuban] writers who began publishing in 2000.”
“It comprises 10 short stories written by Iraqis, all of whom were guided by a simple yet fertile premise: What might Iraq look like a century from now?” The Atlantic review’s Tor’s anthology Iraq + 100 (originally published last year by Comma Press in England), which was released stateside last month—in an attempt to bring visibility to an underrepresented group of writers in America. Read The Millions’ review of the “ambitious short story collection” from March.
Hollywood Notebook by Wendy Ortiz is both a book of poetry and a memoir. Composed of several prose poems, the book depicts her evolution into a poet in her early thirties, following up where her previous memoir Excavation left off. At The Rumpus, Lesley Heiser analyses the book, with references to Phil Klay’s Redeployment and Hermione Lee’s biography of Virginia Woolf.