“We get the book adaptations we deserve… We need to re-tell these stories over and over because each generation sees them in a different way, needs different things from them. We tell these stories again and again, their survival over time proof of their intrinsic value. People are writing new Zeitgeist-y things all the time of course, but we return to classics because the stories have endured for a reason.” Sky Friedlander on the “Literary Period Piece.”
All Millions readers are invited to join us at McNally Jackson bookstore in New York to celebrate the release of The Late American Novel: Writers on the Future of Books. I’ll be joined by my co-editor Jeff Martin, as well as Reif Larsen and Millions staff writers Garth Risk Hallberg and Emily St. John Mandel. It’s shaping up to be a fun night; hope to see you there!
Out this week: So You’ve Been Publicly Shamed by Jon Ronson; The World Before Us by Aislinn Hunter; Selfish, Shallow, and Self-Absorbed: Sixteen Writers on the Decision Not to Have Kids, edited by Meghan Daum; At the Water’s Edge by Sara Gruen; The Architect’s Apprentice by Elif Shafak; and The Harder They Come by T.C. Boyle. For more on these and other new titles, go read our Great 2015 Book Preview.
Lots of new books out this week: Where Mortals Sleep, previously unpublished short fiction by Kurt Vonnegut, with a foreword by Dave Eggers; A Life, one of what will be several biographies of J.D. Salinger arriving over the next couple of years; Stanley Fish tells us How to Write a Sentence: And How to Read One; Brian Greene introduced the masses to string theory with The Elegant Universe, and now he’s back with The Hidden Reality: Parallel Universes and the Deep Laws of the Cosmos; Julie Orringer’s The Invisible Bridge is out in paperback; and finally, from Penguin Classics, The Penguin Book of Victorian Women in Crime: Forgotten Cops and Private Eyes from the Time of Sherlock Holmes.
A newly released Roald Dahl collection, The Missing Golden Ticket and Other Splendiferous Secrets, includes a secret ending to Charlie and the Chocolate Factory and excerpts from the author’s hilariously bad report cards. Wrote one teacher about Dahl in 1931: “A persistent muddler. Vocabulary negligible, sentences malconstructed. He reminds me of a camel.” (via Galley Cat)