Ur-Road Movie
Borrowing Made Easy
A fledgling New York tech firm has invented a new service, Oyster, that the company claims is a lot like Spotify in its workings. Their innovation? The products they’re sharing are books.
Poetry from the Road
Recommended Reading: Amy Woolard’s poem “Things Go South” at TriQuarterly. “Here, the apple don’t fall/From the tree. Here, whatever you/Find lying on the ground is yours./A scratch-off waiting to strike.”
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History as Memoir, Memoir as History
It’s impossible to deny that memoir writing is having a bit of a moment, as more and more major books delve deeply into authors’ lives for material (here’s looking at you, Knausgaard). But what happens when memoir meets straight history? According to The Canadian Press, both genres only become more interesting. “[People] think non-fiction is just boring, fuddy-duddy history books, [but] if you look at Canadian literature right now, non-fiction is incredibly exciting.”
On Board The Pequod
Recommended reading: Ben Shattuck spends a night and a day aboard a New England whaling ship in an attempt to better understand Ishmael’s (and Melville‘s) experiences, and combines Moby-Dick excerpts with his own accounts of life onboard in a piece for The Atlantic.
The Haints of Language
“Sometimes dialect is the only way a person can stay rooted to family, to community, to everything that is familiar in a fast-changing world where nothing is certain,” Amy Clark writes at The New York Times. She gives some tips on when and how to use dialect in your writing for the best and least offensive effect.
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Major Shelf Envy
The Guardian has photos of A Little Life author Hanya Yanagihara‘s New York City apartment and its 12,000 – yes 12,000 – books. Pair with our interview with her from 2015: “It was the worst—the bleakest, the most physically exhausting, the most emotionally enervating—writing experience I’d had. I felt, and feared, that the book was controlling me, somehow, as if I’d somehow become possessed by it.”
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Gina Frangello on Writers Lists
Over on The Nervous Breakdown, a thoughtful piece from Gina Frangello on the recent lists of writers from The New Yorker and Dzanc: “The thing is: being a writer can kinda feel like never leaving high school.”
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