Amidst all the controversy surrounding Go Set a Watchman, one question that gets left out is how realistic, exactly, the book is in its depiction of its setting. At Salon, Scott Timberg sits down with Professor Angela Thorburg, who makes a case that regardless of its literary qualities, Watchman is “a very accurate perspective of what’s going on here in the South.”
“I always had the sneaking and sinking suspicion that there would have been no place for me … there were no Scarlett O’Haras in the Beat world. There were women, certainly, but they felt like cardboard cut-outs, something to move around, admire, shift gently out of the way when necessary. In fact, the only women Kerouac and Ginsberg seemed to genuinely respect were their mothers.” Lynette Lounsbury at The Guardian on falling in love with the Beat generation, which may or may not have loved her back.
“It’s corrosive going down, you wonder if he had to add quite so much vinegar and horseradish, but afterward the effect is invigorating.” Aaron Thier at The Nation reviews Rafael Chirbes’ newest novel, On The Edge. The book admittedly gives no pleasure, yet is nonetheless worth reading as it operates like more of a “psychological health tonic,” instead.