Amidst all the controversy surrounding Go Set a Watchman, one question that gets left out is how realistic, exactly, the book is in its depiction of its setting. At Salon, Scott Timberg sits down with Professor Angela Thorburg, who makes a case that regardless of its literary qualities, Watchman is “a very accurate perspective of what’s going on here in the South.”
True South
On The (Separate) Road
“I always had the sneaking and sinking suspicion that there would have been no place for me … there were no Scarlett O’Haras in the Beat world. There were women, certainly, but they felt like cardboard cut-outs, something to move around, admire, shift gently out of the way when necessary. In fact, the only women Kerouac and Ginsberg seemed to genuinely respect were their mothers.” Lynette Lounsbury at The Guardian on falling in love with the Beat generation, which may or may not have loved her back.
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Plotting The Booker: An Infographic
Are you writing a novel about an escaped tiger? (They’re quite popular these days.) Well, if you hope to win the Booker prize, you’d increase your odds by 1,300% if you switched your theme to “death.”
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Nothing Is Tolerable
“It’s corrosive going down, you wonder if he had to add quite so much vinegar and horseradish, but afterward the effect is invigorating.” Aaron Thier at The Nation reviews Rafael Chirbes’ newest novel, On The Edge. The book admittedly gives no pleasure, yet is nonetheless worth reading as it operates like more of a “psychological health tonic,” instead.
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Marginalia in the Digital Age
With the advent of e-books and digital reading, does marginalia still exist? Alexandra Molotkow looks at how this writing form has evolved.
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I’ll Take “Enjambments” for a Thousand, Alex
A writer at this blog watched a night of literary Jeopardy. (Here’s a hint: what is The Outlet?)
“Total student”
To survive in the wastelands of Twitter, the promising spambot needs to craft an interesting bio. Which explains why one bot assumed the mantle of “bacon ninja.”
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