It’s hard to get a better glimpse of the postwar white male American writer than the essays of William Styron. In My Generation, a new book of collected nonfiction, Styron writes about a raft of his contemporaries, including but not limited to Philip Roth, James Baldwin and Truman Capote. In the NYT, Charles Johnson reviews the collection. You could also read Alexander Nazaryan on a book by Styron’s daughter.
"It comprises 10 short stories written by Iraqis, all of whom were guided by a simple yet fertile premise: What might Iraq look like a century from now?" The Atlantic review's Tor's anthology Iraq + 100 (originally published last year by Comma Press in England), which was released stateside last month—in an attempt to bring visibility to an underrepresented group of writers in America. Read The Millions' review of the "ambitious short story collection" from March.
"Marx the anti-Communist is an unfamiliar figure; but there were undoubtedly times when he shared the view of the liberals of his day and later, in which communism (assuming anything like it could be achieved) would be detrimental to human progress." Wait, what? The New York Review of Books reviews Karl Marx: A Nineteenth-Century Life.
James Joyce inspires a lot of English papers but not songs. Yet musician Casey Black based his song "Happiness" off of A Portrait of the Artist as a Young Man. With lyrics like, "So I walk the Dublin streets like they were passageways through my soul," we think Joyce would approve.
Eric Harvey presents The Social History of the MP3 at Pitchfork: "So omnipresent have these discussions become, in fact, that it's possible the past 10 years could become the first decade of pop music to be remembered by history for its musical technology rather than the actual music itself."