It’s hard to get a better glimpse of the postwar white male American writer than the essays of William Styron. In My Generation, a new book of collected nonfiction, Styron writes about a raft of his contemporaries, including but not limited to Philip Roth, James Baldwin and Truman Capote. In the NYT, Charles Johnson reviews the collection. You could also read Alexander Nazaryan on a book by Styron’s daughter.
The Gang
PDT Cocktail Book
With New Year’s Eve looming, LA Weekly is forgoing their usual cookbook of the week in favor of a cocktail book—The PDT Cocktail Book by Jim Meehan and illustrator Chris Gall, the only beverage book that made it into their Best of 2011 “cookbook” list.
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It Is Shark Week, After All
Bret Easton Ellis is collaborating with Taxi Driver director Paul Schrader on a new “psychological horror” movie about sharks. Coincidentally, HTMLGiant‘s Blake Butler just revisited Ellis’ infamous novel American Psycho.
Animals Everywhere!
It is a truth universally acknowledged (and recently addressed in Barclay Bram Shoekmaker‘s Millions review of Mo Yan‘s Frog) that literary translation is an imperfect art, and this list of mistranslated “literary moments” only offers more evidence for the claim. But for every serious blunder there’s also a truly ridiculous one (or more). For example, the French translated the title of Animal Farm as Animals Everywhere!, which sounds a lot like a charming children’s book and not at all like Orwell.
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The Great Goldfinch Debate
“No novel gets uniformly enthusiastic reviews, but the polarized responses to The Goldfinch lead to the long-debated questions: What makes a work literature, and who gets to decide?” Vanity Fair has big questions and lots of opinions about Donna Tartt‘s latest novel, which we’ve covered pretty extensively ourselves.
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From Musician to Collagist
Musician and Super Bowl bird-flipper M.I.A. will release a 192-page hardcover book this October. M.I.A. will be “an autobiographical monograph in collages.” P.S. How good is the “Bad Girls” video?