Lindsey Drager considers the novella and argues that it is neither a feminine form nor a smaller type of novel. As she puts it, “while other fiction aims outward, the novella curls in, coiling around itself until there’s no distinction between the story’s body and the story’s shell.” Pair with our own Nick Ripatrazone’s essay on the art of the novella.
Last year we highlighted University of Nebraska Press among other small presses for the keeping in print otherwise little known future Nobel laureates. Today's honoree Mario Vargas Llosa is quite well-known by comparison, but University of Nebraska Press has nonetheless (barely) run its Nobel streak to three straight years by way of Vargas Llosa's inclusion in the press' soccer writing anthology, The Global Game: Writers on Soccer.
The finalists for the 2016 Hugo Awards were announced a few days ago, and it looks like the reactionaries may have struck another blow. A group which calls itself "The Sad Puppies" has been stirring up political controversy at the Hugos for a few years now. Founded in 2013 by writer Larry Correia, who was highly critical of the Hugos for favoring what he believed were “academic” works that allegedly promote "left-leaning messages," the Puppies have since campaigned vigorously to have writers whose ideologies line up with their own make the final ballot.
“All of a sudden, things that should be banal, like a person’s face—the fact that a person has a face—becomes extremely disorienting. In these moments, I think it’s important to keep those strange commas.” In an illuminating interview for Asymptote, Year in Reading alumna Katrina Dodson talks about the thrills and challenges in translating The Complete Stories of Clarice Lispector. Pair with Magdalena Edwards’s Millions review of the collection.