Colm Tóibín’s new book on Elizabeth Bishop is unusually hard to categorize. Part “primer,” part “personal reflection,” in Jonathan Farmer’s words, it moves back and forth between analysis and lyricism, alternating passages of beauty with nuts-and-bolts guides to Bishop’s poems. In Slate, Farmer tries to nail it down. You could also read our own Michael Bourne’s review of Tóibín’s The Master.
Ahead of its mid August movie debut Kevin Kwan talks about the real life inspiration behind his Crazy Rich Asian trilogy. “But the people who know me, who have read the books, and who are also in that world in Singapore, Hong Kong, and other parts of Asia, don’t get it.” Refinery29 has more.
This incredible essay from Rita Gabis at Guernica examines the bizarre intersection of dreams, truth, and murder. If that subject matter piques your interest, here are a few essays from The Millions that also touch on dreams, truth, and murder, respectively.
W.W. Norton puts together a project similar to our Year in Reading (and with some participants in common): Writers Recommend.Another clever batch of recommendations: Village Voice asks several notables to recommend their favorite “obscure” books.Three Percent reveals its 25-book longlist for the “Best Translated Book of 2008” (Bonus Link: The Prizewinners: International Edition)A conversation with South African poet and anti-apartheid activist Breyten BreytenbachTodd Zuniga’s (of Opium Magazine and Literary Death Match) “favorite writers we haven’t heard of yet.”Best book cover designs of the year. (via 3% and kottke)Maud reproduces the memo behind the huge reorganization at Random House (which itself is just one part of the belt tightening hitting the publishing industry in recent weeks.)
From The Rumpus, a new short (short) story by George Saunders, excerpted from Life is Short – Art is Shorter: In Praise of Brevity, with an introduction by David Shields and Elizabeth Cooperman.
Crime novelist Sue Grafton passed away earlier this week from cancer. Lit Hub and Vulture both have touching tributes to her and her detective series starring Kinsey Millhone. “Grafton belonged to a cluster of female authors who viewed the private-detective subgenre, previously dominated by Dashiell Hammett, Raymond Chandler, and Grafton’s own hero, Ross Macdonald, in desperate need of subverting” and “The annual release of her latest Kinsey Millhone novel was, for generations of devotees, one of the year’s premier literary events. ” Rest in peace Ms. Grafton.