We’ve published a fair number of essays about the writing process and its discontents. In Bookforum, Anne Boyer tackles the natural complement to literary work, in an excerpt of her new Garments Against Women. Her subject? The art of not writing.
It’s Not Nothing
“Bleeding beautiful streams”
“It’s easy to attribute genius to a dead man, a legendary philanderer, liar and self-mythologizer who died beautiful and curly-haired. But ‘What About This’ is an authentic outpouring like a warm river in full flood; you get swept off the bank and its languid physicality destroys you.” On Frank Stanford’s Collected Poems.
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Tala Tubaris
Want to be as brilliant as Jonathan Swift? Try reading Latin for ten hours a day. As this New Statesman review of Jonathan Swift: His Life and His World makes clear, the satirist went through a backbreaking classics regimen at Kilkenny College in Ireland. (There’s also the fact that he wrote constant letters to a sickly female confidante.)
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On designing a Frankenbook
App designer and lit lover Dave Morris blogs about making an interactive app for retelling Mary Shelley’s Frankenstein, and the differences between video games and interactive reading.
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Monsters and Wild Things
At the Oxford University Press blog, Professor Stephen T. Asma considers the place of Where The Wild Things Are in our culture’s larger obsession with monsters (zombies, wolfmen, vampires, etc.).
The Surreal World
Recommended Reading: Dean Young’s poem “Why I Haven’t ‘Outgrown Surrealism,’ No Matter What That Moron Reviewer Wrote” for Plume.
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Flannery’s Home
Over at The Paris Review, Wei Tchou travels to Flannery O’Connor’s farm in Georgia. As she writes, “The charm of Andalusia lies in gestures like this, the ones that urge you into feeling as though you belong. The place isn’t a fossil, it’s a home.” Pair with Nick Rapatrazone’s Millions essay on teaching and learning from “the greatest American writer ever to load up a typewriter.”
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