We’ve published a fair number of essays about the writing process and its discontents. In Bookforum, Anne Boyer tackles the natural complement to literary work, in an excerpt of her new Garments Against Women. Her subject? The art of not writing.
Julie Delphy‘s second film as writer/director/actress is released in Europe this month. The subject is 16th century Hungarian/Transylvanian countess Erzsébet Bàthory, known for murdering young girls to bathe in their blood and considered by some the first female serial killer. Judging from the trailer, Delphy’s film doesn’t appear to equal earlier visions of the Bloody Countess (French Surrealist Valentine Penrose‘s hallucinatory biography, for example, or Terry Gilliam‘s Mirror Queen (Monica Bellucci) in The Brothers Grimm).
Penguin released a book trailer for the newest Thomas Pynchon novel in which a guy in a T-shirt that reads “I’m Pynchon” stands on a rooftop on the “Yupper” West Side and talks about his life. (To find out why I used the term “Yupper,” check out the recent New York mag piece on Pynchon that I wrote about last week.)
“It’s strange to keep confronting, in these stylistic ways, how you were constructed. What you were constructed to be in the world.” Margo Jefferson sits down with BOMB Magazine to discuss feminism, class, and her memoir, Negroland. Our own Michael Bourne writes on the art of memoir.
“I’m annoyed that so many young rapists lack interest in their own motivations, or are led to believe that an absence of real psychic motive will make the crime merely an act, when really it’s the uninterested mereness of the act that makes it feel, to some victims, so criminal.” Sarah Nicole Prickett compares the many letters released following Brock Turner’s trial at n+1.