We’ve published a fair number of essays about the writing process and its discontents. In Bookforum, Anne Boyer tackles the natural complement to literary work, in an excerpt of her new Garments Against Women. Her subject? The art of not writing.
Our own Michael Bourne takes a look at Thomas King’s Inconvenient Indian, which struggled to find a publisher in the United States despite flying off the shelves in Canada. “The curious publication history of [the book],” Bourne writes, “serves as a window into the wide differences in the way mainstream Americans and Canadians view the Native peoples in their midst.”
"It’s not easy to choose only five books, so I made up my mind and decided to mention the five I can’t help reading again, once in a while, because they are still here for me today." Here's a list of five necessary French books that you should be reading, including works by Louis-Ferdinand Céline and Marguerite Duras.
Saul Bellow met Jack Ludwig at Bard College in the fifties. The two became friends, and founded a magazine together, called The Noble Savage. Then, not long after the magazine began running, Ludwig started an affair with Bellow's wife. Here's the letter Bellow sent him when he found out. You could also read our own Emily St. John Mandel on Bellow's novel The Bellarosa Connection.
David Foster Wallace has become an American legend in his own right, so it makes sense that he'll be coming to the big screen soon. Jason Segel will play the famous writer in an adaptation of David Lipsky's Although of Course You End Up Becoming Yourself with Jesse Eisenberg as Lispky. Can one movie handle this much neurosis?
The contents of the Warburg Library suggest it was conceived in a fairy tale. As Adam Gopnik describes it, the shelves of the quirky London establishment include things like medieval astrology tomes and a section on “The Evil Eye.” Yet despite its notoriety, the University of London filed a lawsuit against it last year, as part of a move to incorporate the Warburg into its greater library. In the latest New Yorker, an essay on the controversial landmark.