“If the sentences are meticulously made, I’ll read anything, whether it’s as destabilizing as a Gary Lutz short story or as melancholy as a Chris Ware comic. The only books I give up on are texts where the writer’s attention is concentrated so heavily on narrative questions that his or her use of language becomes careless.” Anthony Doerr, whose All The Light We Cannot See won the 2015 Pulitzer Prize for Fiction, discusses genre, Calvin and Hobbes, and the 2,080 books he still wants to read as part of the New York Times Book Review‘s By the Book series.
Out this week: The Wall by H.G. Adler; How to Be Both by Ali Smith; Screenplay by MacDonald Harris; Woman with a Gun by Phillip Margolin; Essays after Eighty by Donald Hall; Selected Letters by Norman Mailer; and Skylight by the late Nobel laureate José Saramago. For more on these and other recent titles, check out our Great Second-half 2014 Book Preview.
Joshua Rothman writes for The New Yorker about Virginia Woolf, Mrs. Dalloway, privacy and “a gift that you’ve been given, which you must hold onto and treasure but never open.”
In an in-depth interview for Nomadic Press, Shira Erlichman describes what it’s like to make art while living with mental illness. As she puts it, “The thing that is so strange to me is that it was so wide-lensed. Everyone thinks, ‘Oh, you go crazy, like in the movies. You’re just suddenly crazy.’ But there was such a domino effect. One little thing—it’s almost like 70 dominoes lined up in one track that all lead to one conclusion.” Pair with Gila Lyons’s Millions essay on writing through illness.