It’s not often that a major publisher listens to a new author when they request a specific painting be used for their book cover. But they listened to Naomi Jackson, and over at the Literary Hub she explains her choice of cover art for Star Side of Bird Hill and the Caribbean significance behind it.
“In the six years that I wrote the book, I moved around a huge amount. I was in five or six different states, and spent a lot of time on the road. I think if you’re out in this country so much, you just see a lot of weird stuff. Weird, ominous stuff.” Talking with Laura van den Berg.
"Flooded with data as we are, each day brings even more innovations and technologies to help us mine, sort, and generate even more information. Asking about the future of libraries is another way of asking where this big, hot mess of information is taking us." Justin Wadland reviews three books on libraries and attempts to predict the future of these institutions in a piece for the Los Angeles Review of Books. Meanwhile, Florida Polytechnic University has just opened and its library has no books at all.
It’s been forty years since a burst of new critical attention gave Anthony Trollope a new life. What is it about him that makes his work enduringly relevant? In the latest New Yorker, Adam Gopnik argues that the author was a master of gossip. You could also read Sara Henary on the author’s two hundredth birthday.
“It’s like a crackpot combination of Baz Luhrmann’s Moulin Rouge!, Ingmar Bergman’s The Magic Flute and Lars von Trier’s Dogville. Does this crazy idea work? Maybe 70 percent of the time, but when it does it’s both daring and brilliant.” At Salon, Andrew O’Hehir is surprised by Anna Karenina.