Etgar Keret, one of Israel’s best-known fiction writers, has a new memoir out, The Seven Good Years. The book covers a seven-year stretch between the birth of his son and the death of his father. At The Rumpus, Ryan Krull talks with Keret about the memoir, nuclear politics and living in Warsaw. You could also read Bezalel Stern on Keret’s most recent collection of short stories.
As part of their ongoing effort to steer folks away from bad journalism, the folks at The Morning News are running a series on reading news wisely. This week, Brendan Fitzgerald takes a look at misleading headlines, urging readers to “let headlines pique your curiosity, but be sure journalists deliver.”
There are many flavors of noir, but the one that may be the most relevant to our lives today, Julia Ingalls argues, is corporate noir, which often takes the form of science fiction. At the LARB, she writes about several examples of the genre, including Alan Glynn’s Graveland and Natsuo Kirino’s Out.
It's "Bulgaria Week" at Granta, and you can celebrate by reading two of Ivan Landzhev's poems, a short story by Rayko Baychev, a piece by Georgi Tenev, and many more. In case that isn't enough, however, FiveChapters has posted Miroslav Penkov's "Makedonija," and he has a short essay on the FSG Work in Progress site.
Out this week: Modern Lovers by Emma Straub; Some Possible Solutions by Helen Phillips; The Gallery of Lost Species by Nina Berkhout; Robert Parris Moses by Laura Visser-Maessen; Hot Little Hands by Abigail Ulman; and The View from the Cheap Seats: Selected Nonfiction by Neil Gaiman. For more on these and other new titles, go read our Great 2016 Book Preview.