Last week, I pointed readers to a speech by the late James Salter, reprinted by The Paris Review Daily in tribute to the writer after his death. For a fan appreciation, you can read Kevin Lincoln in Hazlitt, who leads his piece with the observation that Salter “wrote sentences you could unfold into paper lanterns.” Pair with our own Sonya Chung’s review of Salter’s All That Is.
Last semester, at UC Riverside, the novelist Susan Straight began the class “Mixed-Race Literature and the American Experience” with a simple question: “How many of you are often asked, What are you?” In an essay about the class, she relates what they learned, which includes the observation that hair is weirdly important in America. (Related: The Millions published an essay by Straight on Toni Morrison’s Sula.)
All six of the forthcoming films previewed by The Week’s Kerensa Cadenas look outstanding, but of particular relevance to Millions readers is The Invisible Woman. The film, which is an adaptation of Claire Tomalin’s biography of the same name, follows the life of Ellen “Nelly” Ternan (Felicity Jones), an actress who met Charles Dickens (Ralph Fiennes) and became his secret mistress.
Remember when Colson Whitehead wrote about his experiences at the World Series of Poker? Well, the Zone One author is back at it again, but this time with dispatches from London’s Olympic Village. I wonder if he’ll share any gossip about Vince Vaughn and the US Women’s Soccer team…
A Mississippi school district has decided to pull Harper Lee‘s To Kill a Mockingbird from its junior-high reading list because it “makes people uncomfortable.” The novel, which frequently tops the American Library Association’s “Frequently Challenged Book” list, tackles racism. See also: an essay on the symbolism of mockingbirds.