Hey look, several pieces of ours are in the running to win 3 Quarks Daily Arts and Literature Prizes! On their voting page, you can cast your ballot for James McWilliams’s piece on Faulkner, our own Hannah Gersen’s appreciation of Friday Night Lights, or our own Nick Ripatrazone’s essay on teaching English, among other nominees.
New this week: The Heart Goes Last by Margaret Atwood; Gold, Fame, Citrus, by Claire Vaye Watkins; Vertigo by Joanna Walsh; Syllabus of Errors by Troy Jollimore; The Good Story by Nobel laureate J.M. Coetzee and Arabella Kurtz; I Must Be Living Twice by Eileen Myles; and The Complete Works of Primo Levi. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
We already knew that Haruki Murakami was a writer and runner but a former jazz club owner, too? Aaron Gilbreath visited Murakami’s 1970s jazz club, Peter Cat, and found “a drab three-story cement building. Outside, a first-floor, a restaurant had set up a sampuru display of plastic foods.” For more Murakami, read our review of 1Q84.
In the Prospect, an essay on anesthesia, 3D printing, teleportation, LSD, and other thought experiments on self-awareness. Also, this line: “If the spectrum of selfhood begins with the roundworm, surely it ends with Proust.”
“So much of recovery is a fight against exceptionalism—that necessary act of saying, What I’ve lived has been lived before, will be lived again, is nothing special but still holds meaning, still holds truth.” Chris Kraus interviews Leslie Jamison about recovery, memoir, and her forthcoming title, The Recovering, for The Paris Review. Pair with: our interview with Jamison.
New this week: The Best of McSweeney’s; a new e-book edition of Highway Trade by John Domini; and new paperback editions of Between Heaven and Here by Susan Straight and Samuel Johnson is Indignant by Lydia Davis. (You could also read Susan Straight’s Millions essay on Toni Morrison’s Sula.)