Out this week: Local Girls by Caroline Zancan; The Star Side of Bird Hill by Naomi Jackson; The Mountain Story by Lori Lansens; Kay Boyle: A Twentieth-Century Life in Letters; Killing Monica by Candace Bushnell; and a new translation of the poems of Catullus.
England, as you know if you’ve ever read A Christmas Carol, has a long tradition of telling ghost stories around Christmas. What else could you read besides the Dickens classic to partake? At The Paris Review Daily, Colin Fleming lists a number of candidates, including Smee by A.M. Burrage and The Kit-Bag by Algernon Blackwood. You could also check out our reading list for December.
How do you know when you’re finished writing a novel? Electric Literature’s advice column, The Blunt Instrument, tackles the timeless questions of how to begin and when to end. If it’s endings you’re after, this piece from The Millions on writers and last lines will help give you some closure.
“I realized that there was something wrong with an arrangement whereby a relatively affluent person such as I had become could afford to write about minimum wage jobs, squirrels as an urban food source or the penalties for sleeping in parks, while the people who were actually experiencing these sorts of things, or were in danger of experiencing them, could not.” Barbara Ehrenreich on writing about poverty.
In his 2001 treatise, Double Fold: Libraries and the Assault on Paper, Nicholson Baker lamented the wholesale transfer of newspaper archives to microfilm and the subsequent destruction of the originals (A recent essay here at The Millions argued that this is still a big problem). But, according to an article in The Missourian newspaper, microfilm may at least be far more permanent than easily corrupted digital archives. As executive editor Tom Warhover notes: “How about those perfectly preserved newspaper pages that have been digitally fossilized? They’re usually stored on hard drives, which can wear out quicker than your grandmother’s underwear.”