Out this week: Black Glass by Karen Joy Fowler; The Festival of Insignificance by Milan Kundera; The Book of Speculation by Erika Swyler; The Little Paris Bookshop by Nina George; The Truth and Other Lies by Sascha Arango; Tradition by Daniel Khalastchi; and Music for Wartime by Rebecca Makkai. For more on these and other new titles, check out our Great 2015 Book Preview.
The book cover is in decline, Tim Kreider writes. “It seems as if sixty-five per cent of all novels’ jackets feature an item of female apparel and/or part of the female anatomy and the name of some foodstuff in the title—the book-cover equivalent of the generic tough-guy-with-gun movie poster with title like ‘2 HARD & 2 FAST.'” We judge books by their covers, too.
The 2017 Whiting Award winners were announced tonight at a ceremony in Manhattan, and this year’s list of ten honorees includes Francisco Cantú (The Line Becomes a River), Simone Wright (Of Being Dispersed), Phillip B. Williams (Thief in the Interior), Kaitlyn Greenidge (We Love You, Charlie Freeman), Tony Tulathimutte (Private Citizens), Jen Beagin (Pretend I’m Dead), and Lisa Halliday (Asymmetry) as well as playwrights Clarence Coo, James Ijames, and Clare Barron. The award, which recognizes early-career writers of fiction, nonfiction, poetry, and drama, comes with a $50,000 prize. Excerpts from each writer’s work can be read at The Paris Review.
“Only the moon can judge Indiana. It’s a state that mostly gets ignored, and occasionally ridiculed, by the rest of the country, but no matter. Anyone is welcome to come here and see a reflection of themselves in the unlikeliest places, no matter what any law says.” Adam Fleming Petty on “Writing from the Nowhere State.”
Random House Canada launched a new website yesterday, and a new internet magazine to go along with it. There’s a piece from Hari Kunzru on Werner Herzog, and I’m especially taken with this one from Emily Landau on Christopher Hitchens and David Rakoff.