Out this week: Saint Mazie by Jami Attenberg; Muse by Jonathan Galassi; The Diver’s Clothes Lie Empty by Vendela Vida; Eight Hundred Grapes by Laura Dave; The Unfortunates by Sophie McManus; The Sunlit Night by Rebecca Dinerstein; A Head Full of Ghosts by Paul Tremblay; I’d Walk with My Friends If I Could Find Them by Jesse Goolsby; The Loved Ones by Mary-Beth Hughes; A History of Money by Alan Pauls; Land Where I Flee by Prajwal Parajuly; and Bitter Bronx by Jerome Charyn. For more on these and other new titles, check out our Great 2015 Book Preview.
In a piece for the Los Angeles Review of Books, Jonathan Farmer responds to the recent pieces in the New York Times that ask poets to debate the question “does poetry matter?” As Farmer points out, ” it’s a bit like asking a bunch of religious figures if religion matters,” but the conversation is worth following and pairs well with our own recent pieces on poetry’s power and popularity.
What I didn’t want was for my book to become a trauma narrative or a healing narrative that would be touted as merely a testament to love. It’s not meant to be only an uplifting and inspirational piece of literature. I’m tired of the type of memoir that just shows you its scars and wants you to feel sympathy for it. This is not that kind of memoir.” Garrard Conley interviewed over at Electric Literature in conjunction with the release of his new memoir, Boy Erased.