Out this week: Saint Mazie by Jami Attenberg; Muse by Jonathan Galassi; The Diver’s Clothes Lie Empty by Vendela Vida; Eight Hundred Grapes by Laura Dave; The Unfortunates by Sophie McManus; The Sunlit Night by Rebecca Dinerstein; A Head Full of Ghosts by Paul Tremblay; I’d Walk with My Friends If I Could Find Them by Jesse Goolsby; The Loved Ones by Mary-Beth Hughes; A History of Money by Alan Pauls; Land Where I Flee by Prajwal Parajuly; and Bitter Bronx by Jerome Charyn. For more on these and other new titles, check out our Great 2015 Book Preview.
“For a novelist, writing letters is writing that is not writing,” Ed Park says of P.G. Wodehouse’s collected correspondence, A Life in Letters. The Year in Reading alum goes on to note that “a collection of letters is the unconscious narrative the author generates over the years.”
Laila Lalami recently wrote about “How History Becomes Story,” but writing an interesting and compelling history book sans fiction has its own challenges. Thankfully S.C. Gwynne offers some tips in a piece for the History News Network, including the hard-hitting reminder that “it is your job to force your facts into narrative form.”
Leading Beatles historian Mark Lewisohn has been working on a three-volume biography of the Liverpool band for almost a decade. Tentatively titled The Beatles: The Complete Story, the first installment was due for a publication date this year. Unfortunately, Volume One, which tracks the group from the beginning through December 1962, has hit yet another delay, and fans likely won’t see it until 2013. As Lewisohn says, the accuracy takes time, and “the whole ethos of the project is ‘do the job properly’.” Lewisohn’s last work was the 2006 Complete Beatles Recording Sessions.
Chemikal Underground, the Glasgow label that first launched Mogwai and Arab Strap, steps into the literary realm with its first audio collection of stories, The Year of Open Doors. You can listen to an excerpt–Arab Strap’s own Aidan Moffat reads his story “The Donaldson Boy.”