Out this week: Saint Mazie by Jami Attenberg; Muse by Jonathan Galassi; The Diver’s Clothes Lie Empty by Vendela Vida; Eight Hundred Grapes by Laura Dave; The Unfortunates by Sophie McManus; The Sunlit Night by Rebecca Dinerstein; A Head Full of Ghosts by Paul Tremblay; I’d Walk with My Friends If I Could Find Them by Jesse Goolsby; The Loved Ones by Mary-Beth Hughes; A History of Money by Alan Pauls; Land Where I Flee by Prajwal Parajuly; and Bitter Bronx by Jerome Charyn. For more on these and other new titles, check out our Great 2015 Book Preview.
More amusement has been prompted by The History of Love author Nicole Krauss’s arguably over-the-top blurb for David Grossman’s To the End of the Land: “To read it is to have yourself taken apart, undone, touched at the place of your own essence; it is to be turned back, as if after a long absence, into a human being.” Following Guardian’s subsequent contest for who can write the most absurdly laudatory blurb for a Dan Brown novel, Laura Miller at Salon dissects why author endorsements are so unreliable.
“All of a sudden, things that should be banal, like a person’s face—the fact that a person has a face—becomes extremely disorienting. In these moments, I think it’s important to keep those strange commas.” In an illuminating interview for Asymptote, Year in Reading alumna Katrina Dodson talks about the thrills and challenges in translating The Complete Stories of Clarice Lispector. Pair with Magdalena Edwards’s Millions review of the collection.