Recommended Reading: Helen Vendler on John Berryman. You could also read Stephen Akey on Berryman’s collection The Dream Songs.
Tragicomic
Jenny Zhang on the Importance of Funny Writers
Jenny Zhang on "the hardest and most worthwhile thing to achieve in writing:" making people laugh.
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The Iowa Writers’ Workshop Turns 75
The Iowa Writers’ Workshop turns 75 this year. To celebrate, a number of alumni are writing essays on their experiences for various blogs (as well as ours!) as part of The 75th Project. At The Los Angeles Review of Books, Kevin Brockmeier has comprised “A Chronological List of Statements People Made to Me at the Iowa Writers’ Workshop, 1995-1997.” Additionally, Joyelle McSweeney has a piece on n+1‘s website entitled “Iowa Occult: a Mütter Pedagogy; Or How I Learned to Stop Worrying & Vomit Art.”
Move Over, Wittgenstein’s Mistress
Frankly, it’s just pretty hard to beat Raskolnikov’s Inbox.
Weather Advisory
“These are not stories about the weather, these are stories about life and death.” Over at Ploughshares, E.V. De Cleyre considers the weather in contemporary literature.
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The Craven
Ralph Waldo Emerson called him “the jingle-man.” Henry James called his work “decidedly primitive.” Yet Edgar Allan Poe, nearly two centuries after his death, is now acclaimed as a writer on par with his best contemporaries. How did his reputation evolve? In the Times Literary Supplement, Marjorie Perloff reviews a new study of Poe by Jerome McGann.
“Hate books written in the 1st person”
Ever since our literary Tumblr round-up, we’ve been inundated with suggestions for a Part 2. Well, I can assure you, the “Least Helpful” Tumblr dedicated to awful Amazon and Goodreads reviews would make that cut if (and when) that sequel appears. (Hat tip to our own Lydia Kiesling for the link.)
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Sandra Cisneros on Reaching Non-Readers with Her Books
Sandra Cisneros reflects on the enduring legacy of The House on Mango Street and how it was able to reach audiences around the world.
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Perpetua
When, in 1921, a young French writer working as a translator for James Joyce asked the writer to reveal his schema for Ulysses, Joyce balked, saying that “If I gave it all up immediately, I’d lose my immortality.” What he meant, at least in part, is that he wanted his opus to be relevant in perpetuity. At Full-Stop, Dustin Illingworth reads Ulysses on Twitter and asks: can the book survive the transition from the page to social media? Pair with: Josh Cook on The House of Ulysses by Julian Rios.