Recommended Reading: Helen Vendler on John Berryman. You could also read Stephen Akey on Berryman’s collection The Dream Songs.
Tragicomic
Wordless Novels
“There is a saying that has become a cliché: ‘Pictures speak louder than words.’ But sometimes, a picture can speak louder than words because it contains a profound silence. It’s what a picture does not say that can often make it loud. What is, after all, a wordless novel but a novel devoted to the message of silence?” On Frans Masereel‘s My Book of Hours, a wordless novel in woodcuts. For another, lighter perspective on the power of picture books, pair with Jacob Lambert‘s “Yet Again, I Ask: Are Picture Books Leading Our Children Astray?“
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Make the Canadians Face Off Against Everybody Else, Too
“Nurturing eventually becomes coddling, and now it’s time to encourage that work to take a bigger stage,” writes Jared Bland in his plea for the Griffin Poetry Prize to combine its two categories – Canadian and English-language – into one, global whole.
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Bring On The Rejection
Steel your nerve, readers! Kim Liao at The Literary Hub thinks that everyone should shoot for at least 100 rejections per year. At least some of the satisfaction, she argues, lies in knowing that “in the towering waves of slush, be it high tide or low tide, my own modest submission is out there, like a tiny sailboat, bobbing afloat.”
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Bathtub Books
“At home, I dedicate occasional whole days to reading as if I’m a convalescent. The ideal place for this is the bath, where the body floats free,” Rachel Kushner told The New York Times in a “By the Book” interview. Yet just because her reading style is leisurely doesn’t mean her reading is; she discusses her love of Proust and avoidance of books known for their plots. For more Kushner, read our own interview with her or her 2013 Year in Reading post.
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Nothing Has to Be Blown Up
“One of the joys of literature is that we can always push back against established ways of speaking and seeing—and nothing has to be blown up.” Mark Z. Danielewski, whose latest novel, the first installment of a 27-book series called The Familiar, has just been released, writes for The Atlantic‘s “By Heart” series about “signiconic” writing, the orneriness of his work and the graphic novel Here. Pair with our 2012 interview with Danielewski.
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Quark Winner
Big congrats to Millions staff writer Edan Lepucki whose essay “Reading and Race: On Slavery in Fiction” has come in second for the 3 Quarks Daily Arts & Literature Prize.
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