New this week: God Help the Child by Toni Morrison; The Blondes by Emily Schultz; The Miracle Girl by Andrew Roe; Positive by David Wellington; This Is How It Really Sounds by Stuart Archer Cohen; When the Night Comes by Favel Parrett; Seven Devils by M.G. Miller; and Paris Red by Maureen Gibbon. For more on these and other new titles, check out our Great 2015 Book Preview.
“It can not be that I monopolize / The making of the songs that give you praise / Or that such pools as are your dearest eyes / Have just one bather through the unclear days. / Then, let me take my place amid the pack, / If I so pack my songs with your rare worth / There were no quality they then should lack / But they were bettered by that happy death.” A previously unpublished Ezra Pound sonnet selling at auction is always newsworthy–especially when it fetches nearly $12,000. Here is a related Millions piece about the difficult poetry of Ezra Pound, John Berryman, and Ted Berrigan.
The 100th anniversary of the publication of James Joyce’s Dubliners occurs this month, and the occasion is being celebrated with the launch of Dubliners 100, a “reimagining and rewriting of the 15 original stories by a range of well-established and promising writers.” Among the modern writers lending their talents to the homage is Paul Murray (Skippy Dies), Donal Ryan (The Spinning Heart), and Pat McCabe (Butcher Boy).
“Could I write a novel about fugues in the form of a fugue?” Margot Singer wonders in The Paris Review, remembering the process of writing her first novel and considering other authors – Joyce, Nabokov, Woolf – who have tried to compose words musically. See also: our own Jacob Lambert on whether to write with background music on.
TNR's Ruth Franklin test-drives a new online dating service that "purports to match people based on their taste in literature." Spoiler alert: Sebald lovers appear to be out of luck.