Since they got married and began working 33 years ago, Larissa Volokhonsky and Richard Pevear have translated around 30 works of Russian literature, from The Brothers Karamazov to Doctor Zhivago. Now their interview with the Paris Review is available online from the Literary Hub, and this seems as good a time as ever to bring up that constant debate: who’s greater, Tolstoy or Dostoevsky?
Out this week: Friendship by Emily Gould; God Is an Astronaut by Alyson Foster; How to Tell Toledo from the Night Sky by Lydia Netzer; The Actress by Amy Sohn; Last Night at the Blue Angel by Rebecca Rotert; The Sleepwalker’s Guide to Dancing by Mira Jacob; Three Light-Years by Andrea Canobbio; The Sacred River by Wendy Wallace; The Great Glass Sea by Josh Weil; and a previously unpublished short story by Samuel Beckett.
“Why do we love our writing teachers so much? I think it’s because they come along when we need them most, when we are young and vulnerable and are tentatively approaching this craft that our culture doesn’t have much respect for, but which we are beginning to love. They have so much power. They could mock us, disregard us, use us to prop themselves up. But our teachers, if they are good, instead do something almost holy, which we never forget: they take us seriously.” George Saunders offers a timeline of his writing education over at The New Yorker.
Writing for Banned Books Month on the PEN American Center’s blog, our own Lydia Kiesling discusses Judy Blume’s Forever. It’s a book many have “lobbied vigorously to pry … out of the hands of enthralled youth since 1975,” Kiesling writes, which should prove that such lobbyists “weren’t very good readers” in the first place.