Since they got married and began working 33 years ago, Larissa Volokhonsky and Richard Pevear have translated around 30 works of Russian literature, from The Brothers Karamazov to Doctor Zhivago. Now their interview with the Paris Review is available online from the Literary Hub, and this seems as good a time as ever to bring up that constant debate: who’s greater, Tolstoy or Dostoevsky?
The New Translators
Ultra-Unreal Reality
Does modern China need its own literary sub-genre? On trying to understand China's "ultra-unreal" reality: "If Magic Realism was the way in which Latin American authors presented their view of their reality, then Ultra-Unreal Realism should be our name for the literature through which the Chinese regard their reality. The Chinese word 'chaohuan' (ultra-unreal) is something of a play on the word 'mohuan' (magic), as in 'mohuan xianshizhuyi' (magic realism)— 'mohuan' is 'magical unreal,' and 'chaohuan' is 'surpassing the unreal.'”
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A destination for writers and scholars
John Updike's childhood home in Shillington, Pennsylvania is going to become a museum.
Finnegans Wake Hits Chinese Shelves
I don’t know how they managed to translate the thunderwords into Chinese, but if sales figures indicate success, they did a bang up job. Finnegans Wake is huge in China right now.
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Liberty is the air we breathe
The text of Salman Rushdie's PEN World Voices lecture on liberty and censorship has been published on the New Yorker's website.
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Literary Map of Manhattan
An interactive literary map of Manhattan, at The New York Times Book Review: “Here’s where imaginary New Yorkers lived, worked, played, drank, walked and looked at ducks.” (via The Rumpus)
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Love and Correspondence
On Monday, the Harry Ransom Center announced that it had acquired the complete archive of Gabriel García Márquez, which includes notebooks, photo albums and correspondence by the late Nobel laureate. For Márquez fans, the most important part of the collection may We’ll See Each Other in August, the author’s final, unfinished novel. Pair with: Charles Finch on Márquez and the modern novel.
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