Is Hanya Yanagihara’s A Little Life a Great American Gay Novel? According to Garth Greenwell, the book — which came out in March — is one of the most ambitious gay novels to come out in years. At The Atlantic, he makes a case that the book is a classic of its kind. You could also read Christopher Richards on Frank O’Hara’s lessons for gay men.
If you live in London, and you like the idea of a play in which “two women [try] to put on a one-woman play about Frida Kahlo in whom neither of them is really interested,” you should stop by the Bridge House Theatre, which is playing Chris Larner’s The Frida Kahlo of Penge West until November 23rd. At the LRB blog, Rosemary Hill provides a brief review.
Julia Child fans may enjoy a new collection of her correspondence with her friend and “unofficial literary agent” Avis DeVoto. The letters follow Child through her life overseas. Also out now is a snazzy new Penguin Classics Deluxe Edition of The Picture of Dorian Gray with a cover illustrated by Ruben Toledo.
“The greatest Intelligence Agency use of Twitter that never really happened is @US_CIA, a remarkable account that posted plausible Langley public notices that became noticeably stranger over time. Eventually it was claiming 30% of all CIA employees were LGBT and/or First Nation and tweeting directly to @khamenei_ir, Iran’s ayatollah.” At The Awl, Ken Layne investigates the world of Espionage Twitter.
“I’ve got to be writing. I have a few ways to make sure I can carve out time. Part one: Neglect everything else. Part two: Get disciplined.” David Mitchell writes about writing and the poetry of James Wright for The Atlantic. Pair with his story in tweets, “The Right Sort,” and Brian Ted Jones‘s Millions review of The Bone Clocks.
Emily Smith discusses the place of zines in contemporary American politics, over at Ploughshares. As she puts it, “Zines, like street art, are allowed critical power through anonymity—a function newsstand periodicals simply can’t perform for the sake of reputation or the sacrifice of advertisers. In this way, zines are small-scale democracies.”