Is Hanya Yanagihara’s A Little Life a Great American Gay Novel? According to Garth Greenwell, the book — which came out in March — is one of the most ambitious gay novels to come out in years. At The Atlantic, he makes a case that the book is a classic of its kind. You could also read Christopher Richards on Frank O’Hara’s lessons for gay men.
The New Canon
We at the Hotel, Motel, Holiday Inn
The Oxford American has made True Grit author Charles Portis’s “Motel Life, Lower Reaches” available online for the first time. The piece first appeared in an OA issue from 2003, and it’s also available in Escape Velocity, but you should still read it because it’s Charles Portis, damn it, and you’ve only one life to live in this world. (Related: Hobart just published their “Hotel Culture” issue, which is also worth your time.)
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Wilkinson on Larsen
At the Washington Times, Emily Colette Wilkinson reviews Reif Larsen’s The Selected Works of T.S. Spivet.
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Katherine Mansfield: Book Reviewer
In a short biographical piece for Open Letters Monthly, Sam Sacks writes about the book reviewing career of Katherine Mansfield and the ways in which it “helped her build the writing muscles needed” to finish her masterful short stories. While some critics might take umbrage at the way Sacks characterizes Mansfield as “turning out deadline copy like an ink-stained Fleet Street hack,” his look into her reviews culminates in the realization that “the point [of reviewing books] is not to be constructive but to construct something of lasting value in the little space and little time you’re granted. Like all writing, it should be a passion, not a pastime. The point is to dazzle.”
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Les Deux Femmes Sur le Front
For a female war photographer and novelist who’s dealt with pink covers on her books, male colleagues who dismiss the Orange Prize and a publisher who titles her book Shutterbabe, it’s pretty rich to hear that our world is apparently “post-feminist.”
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Bytegeist
This week Margaret Atwood tweeted a photo of her and Alice Munro drinking champagne in a “secret lair.” There’s no denying it — technology has changed the way we tell stories. Atwood and 16 other writers, from Victor LaValle to Lee Child, discussed how technology influences their work in The New York Times. “There’s nothing worse for plots than cellphones. Once your characters have one, there’s no reason for them to get lost or stranded,” Rainbow Rowell said.
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