You may have heard that Joshua Cohen has a new book out this week. The Harper’s columnist’s fourth novel tells the story of a ghostwriter producing a tech wizard’s memoirs. In BOMB Magazine, Dan Duray sits down with Cohen, who talks about the book, the Bay Area and the cultural production of autism. Related: Johannes Lichtman on Cohen’s Four New Messages.
"There is something terrifying but also fascinating about contemplating the end of humanity," and on Oct. 25th our own Edan Lepucki and Emily St. John Mandel (whose novel Station Eleven was just shortlisted for the National Book Award) will be discussing their recent apocalyptic fictions at the Texas Book Festival.
Norman Rockwell was an unhappy and enervated man who became iconic by painting scenes of happy, energetic people. He developed a style that became synonymous with idyllic visions of America. At Page-Turner, Lee Siegel reads Deborah Solmon's American Mirror, a new biography of Rockwell that acknowledges the painter’s contradictions without “mocking or scolding” him for the gulf between his life and his art.