“The plot, obviously, is kind of difficult to explain, like an earnest, pared-down, hipster Foucault’s Pendulum. Not only are all of the plot turns above laid out through a multiframed narrative, replete with several people’s footnotes, but the events are interwoven with disquisitions on the history of map-making, Situationist philosophy, urban planning, and pop music.” At Slate, our own Lydia Kiesling reads Catie Disabato’s The Ghost Network. (ICYMI, Dan Lopez reviewed the book for The Millions.)
Yesterday, VIDA released its annual count of women in prominent magazines, and while they found that most of the magazines they looked at still publish significantly more men than women, they reported that The Paris Review and The New York Times Book Review published many more women in 2013 than they did in 2012. Amanda Hess takes a look at VIDA’s findings at Slate.
“The specter of the confessional haunts all first-person writing, and women’s writing in particular,” but perhaps “the instinct to insert [the self] comes from a place of saying, ‘I’m not an expert, I’m just a person; let me show you where I’m situated here in this thing I’m telling you about.'” Our own Lydia Kiesling writes about Meghan Daum, Lena Dunham, Leslie Jamison and the confessional impulse in nonfiction for Salon.
Elaine Kaufman supported writers at her restaurant when she was alive, and the Table 4 Writers Foundation keeps her legacy going with its grant. The third annual writers’ grants contest will award a $5,000 grand prize and two $2,500 prizes for promising writers. Applications are due by November 15 and can be submitted here. For more on Kaufman, read our own Bill Morris’s tribute.
In light of this year’s Frankfurt Book Fair, which had Indonesia as the official guest of honor, check out Wayan Sunarta’s essay on the rise of Indonesian literature abroad. As he explains it, “Although Indonesian literature is in the ascendant at home, it has so far failed to establish itself internationally. The number of works translated from Indonesian is still very small.”