“The plot, obviously, is kind of difficult to explain, like an earnest, pared-down, hipster Foucault’s Pendulum. Not only are all of the plot turns above laid out through a multiframed narrative, replete with several people’s footnotes, but the events are interwoven with disquisitions on the history of map-making, Situationist philosophy, urban planning, and pop music.” At Slate, our own Lydia Kiesling reads Catie Disabato’s The Ghost Network. (ICYMI, Dan Lopez reviewed the book for The Millions.)
Lacework
Literary Birthdays
New Directions turned 75 yesterday, so here's a look back on the history of their colophon. In other birthday news, Iris Murdoch was born on this day in 1919, and tomorrow The Catcher in the Rye turns 60.
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There Are Worse Destinations
Bad news: due to the changing climate and rising sea levels, all 103,000 inhabitants of Kiribati have to permanently evacuate their homes. Good news: they may all get to move to Fiji.
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Johnny Depp and Hunter S. Thompson
When Terry Gilliam adapted Hunter S. Thompson’s Fear and Loathing in Las Vegas, Johnny Depp portrayed protagonist Raoul Duke. It became one of his most iconic roles. Now, thirteen years later, Depp will play protagonist Paul Kemp in Bruce Robinson’s adaptation of The Rum Diary. You can check out the trailer here.
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Dubliners, 100 Years Later
At Flavorwire Jonathan Sturgeon considers what we've learned from Dubliners in the hundred years since it was first published and argues that "when it comes to realism, Dubliners, more than even Chekhov’s short fiction, is the model we routinely fail to live up to." Sturgeon's reflections on Joyce's free indirect discourse pair well with Jonathan Russell Clark's Millions essay on close writing, and his essay isn't completely without hope: he concludes with a few books that, "on the surface, look nothing like Dubliners, but, in spirit... show that Joyce’s book still lives 100 years on."