“The plot, obviously, is kind of difficult to explain, like an earnest, pared-down, hipster Foucault’s Pendulum. Not only are all of the plot turns above laid out through a multiframed narrative, replete with several people’s footnotes, but the events are interwoven with disquisitions on the history of map-making, Situationist philosophy, urban planning, and pop music.” At Slate, our own Lydia Kiesling reads Catie Disabato’s The Ghost Network. (ICYMI, Dan Lopez reviewed the book for The Millions.)
Cool idea from Quarterly: a subscription service “that enables people to receive physical items in the mail from influential contributors of their choice.” I mean, who wouldn’t want some mail from Maud Newton, Jason Kottke, and Maria Popova (Brain Pickings)?
"The notebook was there, unharmed, tucked inside a Ziploc freezer bag, with 'Sep. 8, 1909,' written in black marker." After Hurricane Irma passed over Key West, Florida, writer and historian Brewster Chamberlin confirmed the relic he had found in May was safe: a notebook containing the first short story by a 10-year-old Ernest Hemingway. See also: The Millions' own Michael Bourne's essay on Hemingway as a "Middlebrow Revolutionary."
How did Neil Gaiman and Dave McKean create one of DC's most popular comics in history? The Guardian finds out the inspiration behind The Sandman. McKean shares the stories behind his favorite covers, and Gaiman also addresses his resemblance to Dream. "I suppose he looks like me, though. But that's one of those peculiar things where you gradually start to look like your dog."