Writer James Salter died on Friday. We interviewed him in 2012 and he reflected on memory and on his long life as a writer. He said, “Everything you know, nobody else knows, and everything you imagine or see belongs to you alone. What you write comes out of that, both in the trivial and deepest sense.” Prior to that, in 2010, Sonya Chung wrote about Salter’s legacy and how he finally seemed to be getting his due as more than just “a writer’s writer.”
With news of this year’s winner fresh off the press, it’s easy to see how the Literary Review’s “Bad Sex Awards” are an annual delight to many readers (as well as an annual horror to several authors). But are they also counter-productive? As one former “winner” of the award asks, is the Bad Sex Award “anything more than a sort of moral outrage dressed up as a quest for high standards in writing?”
“Patriarchal domination, even — despite appearances — in the West, is still very entrenched, and each of us, in the most diverse places, in the most varied forms, suffers the humiliation of being a silent victim or a fearful accomplice or a reluctant rebel or even a diligent accuser of victims rather than of the rapists. Paradoxically, I don’t feel that there are great differences between the women of the Neapolitan neighborhood whose story I told and Hollywood actresses or the educated, refined women who work at the highest levels of our socioeconomic system. ” In a rare interview, Elena Ferrante discuses the #meToo movement, Naples and her writing process for the Neapolitan novels in a rare interview translated from the original French.
Variety reports that Universal Pictures has purchased the film rights to Melissa Marr‘s YA fantasy novel Wicked Lovely. Edward Scissorhands screenwriter Caroline Thompson is to adapt the book about a young girl pursued by the king of the fairies. As far as king-of-the-fairies movies go, I’m more interested in what’s happened to the film adaption of Susanna Clarke‘s Jonathan Strange and Mr. Norrell, whose film rights were purchased in 2004.