Writer James Salter died on Friday. We interviewed him in 2012 and he reflected on memory and on his long life as a writer. He said, “Everything you know, nobody else knows, and everything you imagine or see belongs to you alone. What you write comes out of that, both in the trivial and deepest sense.” Prior to that, in 2010, Sonya Chung wrote about Salter’s legacy and how he finally seemed to be getting his due as more than just “a writer’s writer.”
James Salter (1925-2015)
“In Argentina, it’s better to keep your mouth shut.”
Seven years ago, a stolen copy of Jorge Luis Borges’s Fervor de Buenos Aires was finally returned to Argentina’s National Library. But was it the same copy that had been taken fifteen years prior?
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The Awl’s Poetry Section
Poet Mark Bibbins is the author of The Dance of No Feelings, and he is also the poetry editor for The Awl. So far he’s published poems from Michael Shiavo, Rebecca Keith, Ben Lerner, and many others.
Breaking Out
As part of a collaboration with several international magazines, Full-Stop is publishing Babelsprech International, a series of articles on poetry around the world. In the latest edition, Karel Piorecký writes about contemporary Czech poetry, drawing a line between the pre- and post-Communist periods. Related: John Yargo on the Czech writer Bohumil Hrabal.
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“My awareness and relationship with covers began nearly a decade ago.”
Craig Mod’s superb take on book cover design in the digital age, “Hack the Cover,” is really worth the read.
The Myth of the Recluse
Nathan Bransford points out that nobody is “just an author.” Even Thomas Pynchon promotes himself.
Hope in the Dark
“Most of all, they don’t tell you that fear, to reverse a phrase from C. S. Lewis, will feel so like grief, and so you begin to mourn what you have not yet lost, because mourning prematurely is the only way to protect yourself from hope.” For Catapult, Laura Turner writes about her trio of miscarriages and the hope she lost (and found) along the way. (Turner is a 2017 Year in Reading alum).