“Why are people so preoccupied? What is genre in the first place? Who invented it? Why am I perceived to have crossed a kind of boundary?” Kazuo Ishiguro and Neil Gaiman discuss The Buried Giant, fantasy and genre for the New Statesman. Pair with our own Lydia Kiesling‘s review of the novel.
Ishiguro + Gaiman + Genre
Oops Never Mind
Thriller writer James Patterson was set to publish a novel in November about an attempt on his author colleague Stephen King‘s life, subtly titled The Murder of Stephen King. Following reports of real-life threats against King, however, the book has been scuttled. After you’ve read that tale of high dudgeon, see also our editor-in-chief Lydia Kiesling’s essay, “Everything I Know About America I Learned from Stephen King.”
The 100 Most-Read Novels at the Library
James Cameron on Mars
Movies on Mars–that’s Avatar director James Cameron‘s newest project and NASA’s Jet Propulsion Lab will reap the benefits. At the Pasadena Star News, the story of how Cameron’s camera will give a 3D eye to the next Mars rover.
Self-Publishing… With Penguin
Want to be published by Penguin? For $99 (£60), you can! As stated in this Guardian article, “Penguin USA will provide the service through its genre-fiction online community, Book Country, which launched in May offering wannabe authors the opportunity to post their work online and receive feedback.” The news comes on the heels of Amazon’s announcement that Amanda Hocking has become the second self-published author to tally 1,000,000 Kindle sales.
Sullivan on Ska
Who invented ska music? John Jeremiah Sullivan traces the history of the genre in his latest essay for The Oxford American. “The more the claims for Rosco Gordon’s supremacy as a ska progenitor seem not out of proportion, and the less crazy it feels to say that, in a sense, ska was born in Tennessee.” Pair with: Sullivan’s essay on Bunny Wailer, who makes a cameo in his ska essay.
De Sangue
Blood-Drenched Beard, a new novel by Daniel Galera, is poised to spark a newfound interest in Brazilian literature abroad, argues Chris Frey. In The Globe and Mail, he writes that Galera has forged an original voice, one recalling Borges and Murakami but still distinctly his own. For more on the book, you could read our review.