Recommended reading: Electric Literature talks to Neal Stephenson, a writer of “Big Ideas” and even bigger books, whose latest novel Seveneves was reviewed for the Millions by Chris Barsanti just a few weeks ago.
The Amherst College Archives have discovered what could be the second photograph in existence of Emily Dickinson.
If you’re bored with the typical sexy firefighter holiday calendar, the Rhode Island Library Association can help. The Tattooed Librarians of the Ocean State 2014 calendar features Rhode Island librarians and their ink. “We’re trying to give a voice to the up-and-coming generation of librarians. We’re not your grandmother’s library,” librarian and association president Jenifer Bond said. You can buy your calendar at the site for $12-15.
“Our literary culture has distended and warped by focusing so much power in a singular place, by crowding the gatekeepers into a small ditch of commerce. A review in the Times trumps everything else. You can’t tell me that this doesn’t affect what is, finally, bound into books, marketed, and sold. Which designates what can be said and how one says it. Why do we cede American letters to a handful of corporations that exist on a single concrete patch?” This piece by Matthew Neill Null at The Literary Hub raises a lot of extremely important questions about what gets published and why.
“They say ‘kill your darlings,’ but I think darlings are your voice — your favorite parts, the parts you’d admire even if you didn’t write them. Why destroy what you love? If you feel that strongly about something you’ve written, pay attention!” Elisa Gabbert pens Electric Literature‘s “Blunt Instrument” column, which this month involves how to find one’s style as a writer. And for more scrivening advice, see our own columnists Swarm & Spark on the best way to seek feedback on your work,sending a memoir into the world, and whether writing a novel will jeopardize your mental health.
“The worst insult people hurl at adoptees is that they are ‘ungrateful’ and should ‘go back’ (to their ‘own’ countries, to their old families). That is the moment when adoption becomes a gift—because that is the moment when it becomes clear that adoption belongs to people like the adoptive parent and not people like the adoptee. We shouldn’t want our birth families, our birth cultures. We should be thankful for being taken from the mothers who bore us. This idea of gratitude can ruin thankfulness. Why should we be grateful?” Matthew Salesses writes about gratitude and luck as an adoptee, over at The Toast. You could also check out Salesses’s Millions essay on novel writing, inciting incidents, adoption, and beginnings.
Recommended reading: The Chronicle of Higher Education reports on the new modesty of literary criticism and the complicated relationship between texts, critics, and politics. For more on the balance between art and politics, look no further than Jonathan Clarke‘s Millions essay, “Alive with Disagreement and Dissent.”