Tuesday New Release Day: Hemon; Atkinson; Disabato; O’Brien; Adrian; Vermes; Sneed; Foley; Baker

New this week is the latest Scandinavian sensation, The Hypnotist by “Lars Kepler,” who after a literary manhunt, was revealed to be a husband-and-wife team. Also out this week is a new novel by wunderkind Stefan Merrill Block, The Storm at the Door.

“Publishing is a word that, like the book, is almost but not quite a proxy for the ‘business of literature.’ Current accounts of publishing have the industry about as imperiled as the book, and the presumption is that if we lose publishing, we lose good books. Yet what we have right now is a system that produces great literature in spite of itself.” Twenty-first century publishing works in mysterious ways.

Why do some ideas only come to you when you’re under a tremendous amount of pressure? At the Ploughshares blog, S. Hope Mills reflects on the importance of deadlines, which may explain (according to Guardian columnist Robert Crum) why Dickens chose to serialize his novels.

Talk about built-in irony: the class of tricky words known as “contronyms” can mean the opposite of what you think they mean.

“From this bleak backdrop unspools West Of Sunset, Stewart O’Nan’s sparkling and frequently delightful fictionalized take on those years. It’s a setting that’s near impossible for culture buffs to resist; for a certain subset of nerd, this is a sort of literary Avengers, collecting Ernest Hemingway and Dorothy Parker alongside O’Nan’s delicate and sensitive portrayals of Fitzgerald and wife Zelda, to say nothing of Humphrey Bogart and a cameo by Katharine Hepburn, eating soup.”