New this week: The Making of Zombie Wars by Aleksandar Hemon; A God in Ruins by Kate Atkinson; The Ghost Network by Catie Disabato; The Love Object by Edna O’Brien; The New World by Chris Adrian and Eli Horowitz; Look Who’s Back by Timur Vermes; Paris, He Said by Christine Sneed; Hugo & Rose by Bridget Foley; and Scavenger Loop by David Baker. For more on these and other new titles, check out our Great 2015 Book Preview.
“Publishing is a word that, like the book, is almost but not quite a proxy for the ‘business of literature.’ Current accounts of publishing have the industry about as imperiled as the book, and the presumption is that if we lose publishing, we lose good books. Yet what we have right now is a system that produces great literature in spite of itself.” Twenty-first century publishing works in mysterious ways.
Why do some ideas only come to you when you’re under a tremendous amount of pressure? At the Ploughshares blog, S. Hope Mills reflects on the importance of deadlines, which may explain (according to Guardian columnist Robert Crum) why Dickens chose to serialize his novels.
“From this bleak backdrop unspools West Of Sunset, Stewart O’Nan’s sparkling and frequently delightful fictionalized take on those years. It’s a setting that’s near impossible for culture buffs to resist; for a certain subset of nerd, this is a sort of literary Avengers, collecting Ernest Hemingway and Dorothy Parker alongside O’Nan’s delicate and sensitive portrayals of Fitzgerald and wife Zelda, to say nothing of Humphrey Bogart and a cameo by Katharine Hepburn, eating soup.”