Out this week is Russian author Vladimir Sorokin's Day of the Oprichnik. Coinciding with that release, NYRB Classics is putting out Sorokin's Ice Trilogy. Georges Perec's The Art of Asking Your Boss for a Raise is now on shelves, as is Stewart O'Nan's Emily, Alone, in which he revisits the Maxwell family from his 2002 book Wish You Were Here.
"Sir Arthur Conan Doyle, Oscar Wilde, Rudyard Kipling, and Charles Dickens wrote about opium smoking in their novels. But if you read the way they describe opium smoking, without a doubt these people never saw the real thing. It’s laughable…What we see in movies, even to this day, with the obligatory London opium-smoking scene is complete fiction." Interview with a modern-day opium addict.
Matthew Salesses, whose forthcoming novel-in-stories I’m Not Saying, I’m Just Saying (excerpt here) will publish in February, has started writing a book (on Tumblr) “(not) about adoption.” As Salesses notes in the blog’s first post, his new project “is not to be a memoir, or an op-ed, or a travel narrative, or an answer to anyone …This is to be the story of finding out.”
Does modern China need its own literary sub-genre? On trying to understand China's "ultra-unreal" reality: "If Magic Realism was the way in which Latin American authors presented their view of their reality, then Ultra-Unreal Realism should be our name for the literature through which the Chinese regard their reality. The Chinese word 'chaohuan' (ultra-unreal) is something of a play on the word 'mohuan' (magic), as in 'mohuan xianshizhuyi' (magic realism)— 'mohuan' is 'magical unreal,' and 'chaohuan' is 'surpassing the unreal.'”