“Post-apocalyptic books are thriving for a simple reason: The world feels more precariously perched on the lip of the abyss than ever, and facing those fears through fiction helps us deal with it.” A look at the future of post-apocalyptic fiction from NPR, with a mention of our own Emily St. John Mandel‘s Station Eleven.
The Future of the Post-Apocalyptic
Shitty Mentor Subgenre
Is it just a kind of literary Stockholm Syndrome? This essay from Electric Literature explores why writing students idolize such horrible mentors. For more on what it means to be a mentor, here’s an essay from The Millions.
e-reading Thomas Pynchon
After years of resistance, Thomas Pynchon is only now allowing for his work to be sold as ebooks.
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The Duty of Thankfulness
“The worst insult people hurl at adoptees is that they are ‘ungrateful’ and should ‘go back’ (to their ‘own’ countries, to their old families). That is the moment when adoption becomes a gift—because that is the moment when it becomes clear that adoption belongs to people like the adoptive parent and not people like the adoptee. We shouldn’t want our birth families, our birth cultures. We should be thankful for being taken from the mothers who bore us. This idea of gratitude can ruin thankfulness. Why should we be grateful?” Matthew Salesses writes about gratitude and luck as an adoptee, over at The Toast. You could also check out Salesses’s Millions essay on novel writing, inciting incidents, adoption, and beginnings.
General Spring Feelings
“Welty and Millar struck up an epistolary friendship that endured until his death in 1983, exchanging some 345 letters. Even after the onset of Alzheimer’s disease left Millar unable to reply, Welty wrote him.” On the enduring friendship and almost-romance of Eudora Welty and Ross MacDonald from The Paris Review.
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Mad, Bad, and Healthy to Know
“It was spring. Byron was leaving England forever, a cloud of infamy hanging over him. (He is one of the few people you can write something like that about and have it be true; that is part of why he’s so satisfying.)” Via The Awl: the adventures of John Polidori, literary vampire and doctor to Lord Byron.
“Change the listeners”
“The problem with our national lit isn’t just that it’s often written from the same voice; it’s written often to the same listeners. But if you changed the listeners, you change the art.” Tobias Carroll interviews Kiese Laymon for Vol. 1 Brooklyn.