Recommended listening: David Naimon talks with Neal Stephenson about his new novel, Seveneves. Pair with Chris Barsanti‘s Millions review.
Talking Seveneves
Katrina’s Anniversary
While East Coasters are still dealing with the wrath of Hurricane Irene, the anniversary of Hurricane Katrina passed yesterday. NPR has a timely interview with host Michel Martin, musician Irvin Mayfield and Keith Spera, author of Groove Interrupted: Loss, Renewal and the Music of New Orleans. Likewise, Rivka Galchen‘s 2009 Harper’s essay “Disaster Aversion” bears re-reading.
Beyond Campus
David Lodge never set out to be a writer of campus novels, but that may end up being his legacy, thanks to his most famous books, Changing Places and Small World. In the LRB, Stefan Collini reviews a new book of essays and an autobiography by the author, the latter of which covers the first forty years of his life.
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Convincing Reconstructions
“Rather than presenting a single, definitive story—an ostensibly objective chronicle of events—these books offer a past of competing perspectives, of multiple voices. They are not so much historical as archival: instead of giving us the imagined experience of an event, they offer the ambiguous traces that such events leave behind.” On the role of realist historical fictions.
Ancient Welsh Book To Be Made Available Online
A 13th century Welsh book originally written by monks on pages of animal skin has finally been made available online thanks to the country’s National Library. The ancient Book of Aneirin contains the Gododdin, one of the oldest poems ever written in the language.
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Writing to Explain Yourself to Yourself
The Tide King author Jen Michalski shares a wonderfully honest account of how she managed to write her way out of the closet. “People, mostly nonwriters, are always surprised when I tell them I wrote so much growing up,” she says. “But those words, I want to tell them, weren’t written for anyone else – the audience who needed to see them and the audience for whom they were written was me.”
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No Lie
“One lie I tell is that we care, generally—human beings—about each other. We could not, I tell myself in the moments just before the night’s dark hour, create The Odyssey or King Lear or Thomas and Beulah without a profound sense of The Other. Surely, were it true this thing’s a joke, nothing more, and a cruel one at that, we’d have no Dickinson, no Yeats, no freakin’ Rumi, read by Bly, loud on an old tape deck while I shower.” Pablo Tanguay on the art of lying.