Need more than just a hashtag to get ready for the new season of True Detective? Tom Nolan is here to help. At Salon, Scott Timberg interviews the biographer of Ross Macdonald, a crime fiction writer whose mysteries tackled the underbelly of California. You might want to read the new collection of Ross’s novels, or else our list of crime novels where women are the detectives.
Pre-Detective
What We Want
●
●
A Few More Goodbyes
Hopefully you’ve read Eryn Loeb’s Millions review of Goodbye to All That, a collection of essays by noted writers on the weird sorrow of leaving New York City. Contributors include Dani Shapiro, whom we interviewed back in October, Emma Straub, who wrote an essay for The Millions back in July, and Millions staff writer Emily St. John Mandel. At the LARB, Mason Currey says he dreaded reading the book out of fear that it would raise old anxieties, but then says that his hesitations “quickly evaporated” when he started reading.
●
●
Papercuts Can Be Fun Too
Our friends at Electric Literature are Kickstarting Papercuts, “a party game for the rude and well-read.” We would’ve pledged anyway, but this pitch sealed the deal: “It’s what Kurt Vonnegut, James Baldwin, and Virginia Woolf would play if they were alive, locked in a room together, and forced to play a card game.” This Cards Against Humanity for the literary set will be delivered in time for Christmas, so keep it in mind for your erudite stocking stuffer needs.
Getting Out with a Minimum of Hassle
Calling all stir-crazy New Yorkers! If you want to move to a smaller, less competitive locale, consult this handy-dandy guide to other cities at The Morning News.
Judge It By This
Year in Reading alum Chang-Rae Lee has a new book out this week, and its cover is making headlines. Readers who buy the limited edition of On Such A Full Sea will get the first 3D printed book cover in publishing history. According to the printers, each cover took fifteen hours to make.
●
●
A Strange Kind of Love
“I slumped into an empty corner opposite Say Goodbye, Cattullus and wept into my knees for a half hour.” Catherine Lacey writes for The Paris Review‘s “Revisited” series, “in which writers look back on a work of art they first encountered long ago.” Pair with our own Bill Morris‘s consideration of artists whose works channel writers.
●
●