Wolf Hall, you may have heard, is now a TV show, which you can watch on PBS (in the US) and BBC Two (in the UK). Is it good? According to Sonia Saraiya, the adaptation of Hilary Mantel’s novel is eminently worth watching, “a rare adaptation from book to screen that makes the most of what the visual medium can provide.” You could also read our interview with Mantel.
Mr. Cromwell
On Broken and Repaired Circuits
Another year, another year of Full Stop Features, and Peter Nowogrodzki is starting things off with a bang. In a thorough and engaging review, Nowogrodzki dives into Tan Lin's miniature book The Patio and the Index.
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DJ Eldest Immigrant Daughter
"The first boy to kiss your mother later raped women / when the war broke out. She remembers hearing this / from your uncle, then going to your bedroom and lying down on the floor. You were at school." The poetry of Warsan Shire, Young Poet Laureate of London, does not mess around.
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Tuesday New Release Day: Ng; Kwok; Moses; Scheft; Ahmad; Fitzgerald
New this week: Everything I Never Told You by Celeste Ng; Mambo in Chinatown by Jean Kwok; The Appetites of Girls by Pamela Moses; Shrink Thyself by the Letterman staff writer Bill Scheft; The Last Taxi Ride by A.X. Ahmad; and the Cambridge University Press edition of F. Scott Fitzgerald’s Taps at Reveille.
Annals of great profile writing
If you're looking for some midweek longreads, here are two excellent profile pieces: Emily Nussbaum's unabashed enthusiasm for Lena Dunham as HBO's Girls gears up for release, and Adam Sternbergh on Mark Leyner, whose The Sugar Frosted Nutsack is out today.
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Better Looking than a Breakfast Burrito
Do you want to start a small press? Take advice from Spencer Madsen of Sorry House. In his article "I Made the Mistake of Starting a Small Press and So Can You" at The Toast, Madsen recommends making the book look "better than a breakfast burrito" and listening to 2 Chainz to get started. Pair with: Our article on how Curbside Splendor became a small press to watch.
On Turning “Perhaps” into Certainty
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Time and Again
“In Proust, the rhythm, the phrasing, the movement of the sentence, even the grammar—it’s all so complex that it would be almost impossible to repeat anyone else’s work. Because of that I’m all the more aware of the differences, and of how admirable Scott Moncrieff’s work often is.” George Plimpton interviews Richard Howard about translating Remembrance of Things Past, for the Summer 1989 issue of The Paris Review. The interview was reissued to mark Richard Howard's birthday, who turns eighty-six today.