“In addition to fearing, as a young person, that I lacked sophistication, I also feared that I lacked courage. It was hard for me to say something even mildly tough about someone else or their work; hard for me, generally, to be critical. Mary McCarthy had no such trouble.” Meg Wolitzer, author of The Interestings, writes about her literary idol for the LA Times.
Pulitzer winner Tony Horwitz describes – in incredibly depressing fashion – his experience publishing Boom, a digital short representing his first foray into “the brave new world” of digital publishing. Two takeaways for aspiring writers that are not explicitly mentioned, however: don’t write without a contract, and be sure to use an agent from the get-go.
For Public Books, Matthew Clair considers authoritative black knowledge in intellectual practices and “the logic of racial authenticity,” which “stipulates both that black intellectuals have a particular responsibility to represent, in both senses of that word, ‘their’ people, and that, as racial insiders, they are uniquely capable of doing so.”
The New Yorker announced that their literary blog, The Book Bench, will henceforth be called Page-Turner. The name change signals a “building on the work of the Book Bench blog, and expanding on it.” In an inaugural post, Ryan Bloom translates the deceptively simple first line of The Stranger.
Picture books have always been a good way to teach your children difficult concepts. They cover everything from bodily functions to the makeup of modern families. At Slate, Gabriel Roth writes about a picture book that taught his child about death. You could also read T.K. Dalton on teaching your children about gender.