“In addition to fearing, as a young person, that I lacked sophistication, I also feared that I lacked courage. It was hard for me to say something even mildly tough about someone else or their work; hard for me, generally, to be critical. Mary McCarthy had no such trouble.” Meg Wolitzer, author of The Interestings, writes about her literary idol for the LA Times.
McCarthy, Literary Idol
“Louisiana’s heat is inescapable and aggressive.”
The Oxford American just unlocked “Dixie Zen,” Sam Anderson’s piece on Louisiana summers. Last January, Anderson wrote one of the most popular articles in Millions history.
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How Patrick Bateman Stole Christmas
"Have you guessed who I am? Sometimes I think you have." Is this Dr. Seuss or Bret Easton Ellis? The Awl has a quiz to see whether you can differentiate between sociopaths and the Cat in the Hat.
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Ferlinghetti on Folksingers
David Meltzer interviewed renowned Beat poet Lawrence Ferlinghetti for the Poetry Foundation. At 93 years of age, Ferlinghetti still contends that “the real popular poets of America” are not the people writing verse for poetry collections, but rather the folk musicians and folksingers. “A lot of folksingers’ poems are greater than the printed poems!” Ferlinghetti explains. Evidently the American Academy of Arts and Letters agrees: Bob Dylan recently became the first rock musician ever inducted into its ranks.
A Confession
Cat Marnell and Alana Massey both have new books out, and they are, in their own ways, variants on the genre of "confessional" writing. In an essay for Slate, Katy Waldman unpacks their essential appeal and their arguments, describing how each goes about the task of reinventing the concept of the memoir. You could also read our interview with Massey.
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Writing Without Reading
Buzz Poole expands Macy Halford's riff on the consequences of writing without reading. In the process, he refers back to last month's popular piece here at The Millions by Steve Himmer.
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And All That Jazz
Have you ever wondered what The Great Gatsby would sound like? Designer Vladimir V. Kuchinov made The Generative Gatsby, a book that features typography based on famous 1920s jazz songs. "The following work is a visual experiment, a study of how music of this era, its rhythms, syncopations and patterns could alter prose to a new typographic frontiers keeping content legible as it could be," he writes on his website.