Harold and the Purple Crayon is a classic children’s book. Is it also a writing guide? In an essay for Bookslut, Mairead Case explains why she re-reads it whenever she’s finishing a project: the main character’s need to create a room for himself is a corollary to the writing process.
“Good kid m.A.A.d city is a memento mori haunted by dead and living ghosts…When they are pieced together as a sequence they act like Muybridge’s zoopraxiscope: they give us the impression that from these clips we are watching a black boy learn to fly above it all.” Rachel Kaadzi Ghansah looks at hip-hop, Kendrick Lamar, and the tradition of the black blues narrative.
Sometimes things get a little kinky at Rock Bottom Remainders shows, the little known rock band with some big members including Amy Tan, Stephen King, and Dave Barry. Tan’s signature song is “These Boots are Made for Walking.” “For ‘Boots’ I’m especially gifted. I wield a whip and at the end of the song, I tell the boys to bend over,” she told The Daily Beast for a “How I Write” interview.
“So much of recovery is a fight against exceptionalism—that necessary act of saying, What I’ve lived has been lived before, will be lived again, is nothing special but still holds meaning, still holds truth.” Chris Kraus interviews Leslie Jamison about recovery, memoir, and her forthcoming title, The Recovering, for The Paris Review. Pair with: our interview with Jamison.
David Satter’s It Was a Long Time Ago and It Never Happened Anyway gets reviewed for The Daily Beast. The book is a “sweeping study of how the former Soviet Union’s bloody past continues to poison Russia’s present and threatens to strangle the country’s future.”