You may have heard (via this site or elsewhere) that Harold Bloom has a new book out. In the Times Sunday Book Review, Cynthia Ozick gives her take, identifying the critic’s use of the phrase “without precedent” as key to understanding his theory. You could also read Matt Hanson on Bloom’s classic The Anatomy of Influence.
"Pornography has changed unrecognizably from its so-called golden age—the period, in the sixties and seventies, when adult movies had theatrical releases and seemed in step with the wider moment of sexual liberation, and before V.H.S. drove down production quality, in the eighties. Today’s films are often short and nearly always hard-core; that is, they show penetrative sex. Among the most popular search terms in 2015 were 'anal,' 'amateur,' 'teen,' and—one that would surely have made Freud smile—'mom and son.'" The New Yorker attempts to make some sense of modern pornography.
"Just because I’m a woman, don’t assume that I automatically empathize with a brooding 20-something Elizabeth-Bennett-type protagonist. (Trust me, I don’t.) This doesn’t mean I can’t design ... a biography on Susan Sontag—or, for that matter, a spy novel, a political satire, or a memoir about a Japanese game show host set in outer space. I can do all of these things. Because it’s my job to design book covers." Over at The Literary Hub, a cover designer wonders why she's always offered a particular type of book.
Look, we get it. You're as sad as the rest of us that Frank Ocean's new album didn't actually drop on Friday. Luckily, there's a fantastic essay over at The Atlantic which examines Ocean in the context of Harper Lee and the myth of the reclusive artist: "Channel Orange, like Mockingbird, is an unapologetic masterpiece for people defining themselves at the intersection of lived experience and possibility."