The Tournament of Books team over at The Morning News have posted an in depth commentary on this year’s withheld Pulitzer Prize for fiction. The Wall Street Journal asks a handful of book critics to name the books they thought should’ve won. And over at Moby Lives, Nick Davies has rounded up the statements made by the jury in response to the brouhaha. Lev Grossman, on the other hand, outlines why he’s totally okay with the board’s decision. And of course, we’ve got links and excerpts for all the finalists over here.
Haruki Murakami’s latest book – the title of which translates to Colourless Tsukuru Tazaki and the Year of His Pilgrimage – went on sale in Japan last month, and in that time it’s been selling over a million copies a week. You can catch a glimpse of the book’s first and earliest reviews over at the NY Daily News. (By the way, did you know Murakami translated The Great Gatsby into Japanese?)
“denial. A defense mechanism predicated on your inability to accept the painful reality that you are supposed to be reading the selected novel that you literally tried to bury.” At The Toast, Zane Shetler writes a glossary of book club defense mechanisms. Pair with: Our essay on spying on your book club friends.
Over at Paper Darts, Rachel Charlene Lewis argues that editors must be held accountable for the issue of diversity in publishing. As she explains it, “The fun part about focusing instead on the role of editors is that there is an answer—we need more diverse editors, and we need editors who do the work.”
New Yorkers! Come out tonight and celebrate Kingsley Amis alongside the Volume 1 Brooklyn crew, the New York Review of Books Classics publishers, and also such guests as Parul Sehgal, Rosie Schaap, and Maud Newton. There will be free gin! However if you can’t make it, you can treat yourself to the Kingsley Amis Desert Island Discs from the comfort of your own home. The discs, recorded around the time The Old Devils was published, reveal the author’s views on “novel mechanics,” the “Welsh temperament,” and his affinity for jazz.