Anne Enright, who won the Man Booker for her 2007 novel, The Gathering, has a new book out, The Green Road. Like its predecessor, the novel tracks a large Irish family, the Madigans, in a plotline that spans three decades. In the Times, David Leavitt reviews the book.
All in the Family
How To: Write Difference
"Writing difference is a challenge, particularly in fiction. How do men write women and vice versa? How do writers of one race or ethnicity write about people of another race or ethnicity? More important, how do writers tackle difference without reducing their characters to caricatures or stereotypes?" Roxane Gay reviews Joyce Carol Oates's The Sacrifice and simultaneously explains how to write difference well. Hint: it "demands empathy, an ability to respect the humanity of those you mean to represent."
What Are the Chances?
James Tate’s final poem, which was discovered in his typewriter soon after his death, appears in the spring issue of The Paris Review. Pair with Andrew Kay’s Millions essay on the power of poetry.
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The Bard For 100
Jonathan Franzen knows a lot about birds. The novelist competed on Jeopardy's "Power Players Week" alongside Chuck Todd and S.E. Cupp as part of a variation on the Celebrity Jeopardy theme. Franzen flubbed a few questions about Shakespeare which, ironically, served to help dispel some of the "old curmudgeon" reputation that has followed him for years. This piece from The Millions on the case for non-Ikea writing in the Age of Franzen might interest you.
“It’s why the gift horse is a gift”
Recommended Reading: “The Tiny Men in the Horse’s Mouth” by Matthew Olzmann for New England Review.
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“Full, unfettered pomp”
On Friday, I wrote about the British writer William Boyd, whose new play, Longing, debuted last week at London’s Hampstead Theatre. The play is based on two of Chekhov’s short stories, one of which (according to Boyd’s new article in The Guardian) sheds light on the great author’s love life. Apparently the young Anton had “at least two dozen” affairs.
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No, I Will Speak
"How had no one ever told me about (Othello's) Emilia, who, in only a couple of lines, brings down one of the most conniving, merciless villains in all of Western literature? How had no one told me about this fantastic female character who defies not one but two sword-wielding men in order to make sure Desdemona, her mistress and friend, receives justice? I wanted to rip up my diploma. I wanted to start over as a freshman and devote my entire undergraduate career to the Gospel of Emilia." On Othello's Emilia and her refusal to be silenced.